A work in constant progress (and occasional regress).
Birthplace:
Cardiff, Wales, UK
Born:
January 18, 1920
Died:
October 6, 2011
Dialogue Coach:
1956 Anastasia
Director:
1950 The Undefeated
1951 David
1953 Gilbert Harding Speaking of Murder
1954 Calling Scotland Yard: Falstaff's Fur Coat
1954 Tale of Three Women
1956 Anastasia
1956 Satellite in the Sky
1957 The Depraved
1957 The Film That Never Was
1960 Stone Into Steel
1977 Inter-city Magic
Editor:
1950 The Undefeated
1951 David
1953 Gilbert Harding Speaking of Murder
1954 Calling Scotland Yard: Falstaff's Fur Coat
1954 Tale of Three Women
1956 Anastasia
1956 Satellite in the Sky
1957 The Depraved
1957 The Film That Never Was
1960 Stone Into Steel
1977 Inter-city Magic
1986 The Ever Popular Tortured Artist Effect
Screenplay:
1950 The Undefeated
1951 David
1953 Gilbert Harding Speaking of Murder
1954 Calling Scotland Yard: Falstaff's Fur Coat
1954 Tale of Three Women
1956 Anastasia
1956 Satellite in the Sky
1957 The Depraved
1957 The Film That Never Was
1960 Stone Into Steel
1977 Inter-city Magic
1986 The Ever Popular Tortured Artist Effect
Writer:
1950 The Undefeated
1951 David
1953 Gilbert Harding Speaking of Murder
1954 Calling Scotland Yard: Falstaff's Fur Coat
1954 Tale of Three Women
1956 Anastasia
1956 Satellite in the Sky
1957 The Depraved
1957 The Film That Never Was
1960 Stone Into Steel
1977 Inter-city Magic
1986 The Ever Popular Tortured Artist Effect
Director:
1961 The Avengers
1968 The Champions
1972 The Adventurer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.