A work in constant progress (and occasional regress).
Alias:
Верена Паравель
Birthplace:
Neuchâtel, Switzerland
Born:
April 21, 1971
Véréna Paravel (born 21 April 1971; Neuchâtel) is a French anthropologist and artist who works in film, video, and photography. Paravel was born in Neuchâtel, Switzerland, to French parents, and grew up in Algeria, Portugal, Togo, Côte d'Ivoire, the Soviet Union, and France. She taught at the Université de Toulouse, and received her PhD in Anthropology and Communication Sciences from the Université de Toulouse II. She later worked with Bruno Latour at the École Nationale Supérieure des Mines de Paris. In 2004, she moved to the United States, where she had a postdoctoral fellowship at Columbia University. Since 2006, Verena Paravel has worked with Lucien Castaing-Taylor at the Sensory Ethnography Lab at Harvard University. She has been a Lecturer in the Department of Anthropology at Harvard University, and in 2012-13 she was the Frieda L. Miller Fellow in Film, Video, Sound, and New Media at the Film Study Center and the Radcliffe Institute for Advanced Study. She is also on the master class faculty at the Ecole des Arts Politiques at Sciences Po in Paris. In 2013, she and Castaing-Taylor jointly received the True Vision Award from the True/False Film Festival. Her works in film and video have screened at Berlin, Locarno, New York, Toronto, and other film festivals. They include 7 Queens (2008), Interface Series (2008-10), Foreign Parts (2010), and Leviathan (with Castaing-Taylor, 2012).
Camera Operator:
2013 The Last Film
2023 De Humani Corporis Fabrica
Director:
2008 7 Queens
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Director of Photography:
2008 7 Queens
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Editor:
2008 7 Queens
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Producer:
2008 7 Queens
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Manakamana
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2016 The Eye's Dream
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Sound:
2008 7 Queens
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Manakamana
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2016 The Eye's Dream
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Thanks:
2008 7 Queens
2009 Sweetgrass
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Manakamana
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2016 The Eye's Dream
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Writer:
2008 7 Queens
2009 Sweetgrass
2010 Foreign Parts
2012 Leviathan
2013 He Maketh a Path to Shine After Him; One Would Think the Deep to Be Hoary
2013 Last Judgement
2013 Manakamana
2013 Spirit Stills
2013 Still Life
2013 The Last Film
2015 Ah Humanity!
2016 The Eye's Dream
2017 Caniba
2017 Commensal
2017 Somniloquies
2023 De Humani Corporis Fabrica
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.