Masahiko Satoh (b. 1941)

Alias:
Masahiko Sato
Masahiko Satoh
Masahiko Satô
Satoh Masahiko
Satō Masahiko
佐藤允彦

Birthplace:
Tokyo, Japan

Born:
October 6, 1941

Masahiko Satoh is a Japanese jazz pianist, composer and arranger. He wrote the psychedelic music for the 1973 anime film Belladonna of Sadness.

Additional information:

The Search Form


Main Title Theme Composer:
1972  Panda! Go Panda!

Music:
1966  Season of Betrayal
1969  Women's Police: Part II
1969  Yabanjin no Nekutai
1971  Detective Story: A Brother's Rule
1972  Panda! Go Panda!
1973  Belladonna of Sadness
1974  Kandagawa
1977  Tree of Youth
1981  The Fantastic Adventures of Unico
1983  Kandagawa Pervert Wars
1988  Onna no Naka no Kaze
1993  Destiny Pass
1994  Uneasy Encounters

Original Music Composer:
1966  Season of Betrayal
1969  Japan Year Zero
1969  Women's Police: Part II
1969  Yabanjin no Nekutai
1971  Detective Story: A Brother's Rule
1972  Man and Woman
1972  Panda! Go Panda!
1972  Panda! Go Panda!
1973  Belladonna of Sadness
1973  Kôkôsei burai hikae: Tsuki no Muramasa
1973  Kōkōsei burai hikae: Kanjirū Muramasa
1973  Panda! Go Panda!: Rainy Day Circus
1974  Kandagawa
1977  Tree of Youth
1981  The Fantastic Adventures of Unico
1983  Kandagawa Pervert Wars
1988  Onna no Naka no Kaze
1991  Danger Point: The Road to Hell
1993  Destiny Pass
1994  Uneasy Encounters

Sound:
1966  Season of Betrayal
1969  Japan Year Zero
1969  Women's Police: Part II
1969  Yabanjin no Nekutai
1971  Detective Story: A Brother's Rule
1972  Man and Woman
1972  Panda! Go Panda!
1972  Panda! Go Panda!
1973  Belladonna of Sadness
1973  Kôkôsei burai hikae: Tsuki no Muramasa
1973  Kōkōsei burai hikae: Kanjirū Muramasa
1973  Panda! Go Panda!: Rainy Day Circus
1974  Kandagawa
1977  Tree of Youth
1981  The Fantastic Adventures of Unico
1983  Kandagawa Pervert Wars
1988  Onna no Naka no Kaze
1991  Danger Point: The Road to Hell
1993  Destiny Pass
1994  Uneasy Encounters

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.