Kaichi Yamamoto (1877-1939)

Alias:
Каити Ямамото
山本嘉一

Birthplace:
Tokyo, Japan

Born:
September 6, 1877

Died:
December 17, 1939

Kaichi Yamamoto, also known as Yamakichi, was a distinguished Japanese actor renowned for his performances in both contemporary and period films. He was a prominent figure at Nikkatsu studios following the era of Onoe Matsunosuke. At the age of 18 in 1895, he joined the "Kawakami Onjuro Troupe," a prominent New School (Shinpa) theater group led by Onjuro Kawakami. Four years later, at the age of 22, Yamamoto participated in the troupe's overseas performances, including those in the United States, showcasing his talent on international stages.  In 1917, he was invited to join the Nikkatsu Mukojima Studio, where he transitioned to film acting after a prolific 22-year theatrical career, shortly before turning 40. His first film at Nikkatsu, "Tsuyu no Chigiri" (Oath of Dew), was released on June 30, 1917, at the Asakusa Opera Hall. After the Great Kanto Earthquake in 1923, which devastated the Mukojima Studio, Yamamoto transferred to Nikkatsu Kyoto Studio. He continued to excel in contemporary dramas, including films like "Okina to Seizo" (Okina and Seizo) and "Toge no Uta" (The Song of the Mountain Pass), the latter being part of the New Year's line-up in 1924[3]. For over a decade, he resided in Kyoto, where he became a stalwart in period dramas, particularly after the passing of Kabuki actor Onoe Matsunosuke.  In 1934, with the establishment of Nikkatsu Tamagawa Studio (now Kadokawa Daiei Studio) as a hub for contemporary dramas, Yamamoto moved there and appeared in films like "Aizou Toge" (Love and Hate Pass).  Yamamoto's filmography boasts a remarkable 250-plus films, demonstrating his enduring legacy in Japanese cinema. He passed away on December 17, 1939, at the age of 62, having left an indelible mark on the world of acting and film.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.