Pamela Hogan

An Emmy award-winning filmmaker, journalist, and media executive, Pamela Hogan’s recent independent film Looks like Laury Sounds like Laury - about the mother of two young children confronting a neurological breakdown – was hailed as one of “The Best TV Shows of 2015” by The New York Times and honored with a Gabriel Award. She was recently Co- Creator and Executive Producer of the PBS series Women, War & Peace and Director of Episode 1, I Came to Testify, about the Bosnian women who changed international law when they testified about wartime rape for the first time in history. Seen by 12 million viewers, the films won 2 Overseas Press Club awards, a Television Academy Honor, and a Gracie Award; and I Came to Testify was awarded the ABA’s Silver Gavel for excellence in fostering the American public’s understanding of law.

Additional information:

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Co-Producer:
2015  Looks Like Laury, Sounds Like Laury

Director:
2015  Looks Like Laury, Sounds Like Laury
2023  The Day Iceland Stood Still

Executive Producer:
1995  The 100 Funniest Moments of the 20th Century: The Unexpected
2012  Birders: The Central Park Effect
2015  Looks Like Laury, Sounds Like Laury
2018  Moroni for President
2019  Something to Say
2020  It Takes a Circus
2023  Sparni
2023  The Day Iceland Stood Still

Producer:
1995  The 100 Funniest Moments of the 20th Century: The Unexpected
2011  I Came to Testify
2011  The War We Are Living
2012  Birders: The Central Park Effect
2015  Looks Like Laury, Sounds Like Laury
2018  Moroni for President
2019  Something to Say
2020  It Takes a Circus
2023  Sparni
2023  The Day Iceland Stood Still

Screenplay:
1995  The 100 Funniest Moments of the 20th Century: The Unexpected
2011  I Came to Testify
2011  The War We Are Living
2011  The War We Are Living
2012  Birders: The Central Park Effect
2015  Looks Like Laury, Sounds Like Laury
2018  Moroni for President
2019  Something to Say
2020  It Takes a Circus
2023  Sparni
2023  The Day Iceland Stood Still

Writer:
1995  The 100 Funniest Moments of the 20th Century: The Unexpected
2011  I Came to Testify
2011  The War We Are Living
2011  The War We Are Living
2012  Birders: The Central Park Effect
2015  Looks Like Laury, Sounds Like Laury
2018  Moroni for President
2019  Something to Say
2020  It Takes a Circus
2023  Sparni
2023  The Day Iceland Stood Still

Creator:
2011  Women, War & Peace

Executive Producer:
2011  Women, War & Peace
2019  Women, War & Peace II

Producer:
2011  Women, War & Peace
2019  Women, War & Peace II

Writer:
2011  Women, War & Peace
2019  Women, War & Peace II

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.