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Hartmut Bitomsky (b. 1942)

Birthplace:
Bremen, Germany

Born:
May 10, 1942

Additional information:

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Film Performances

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Film Production

Director:
1966  Das Vöglein
1967  3000 Houses
1968  Johnson & Co. and the Campaign Against Poverty
1970  Die Teilung aller Tage
1971  Something Self Explanatory (15x)
1973  Einmal wirst auch du mich lieben. Über die Bedeutung von Heftromanen
1974  Kino/Kritik. Über die Wörter, den Sinn und das Geld von Filmen
1975  Auf Biegen oder Brechen
1975  Telekritik: Unter einem Himmel schwarz von Häusern von erloschenen Bränden schwarz
1976  Der Schauplatz des Krieges. Das Kino von John Ford
1977  Karawane der Wörter
1981  Highway 40 West
1983  Deutschlandbilder
1986  Reichsautobahn
1988  Cinema and Death
1989  The VW Complex
1990  Isaak Babel - Die Reiterarmee
1991  Barrage and Bunker
1991  The Cinema and the Wind and Photography
1992  Die UFA
1995  Imaginary Architecture, the architect Hans Scharoun
1995  Playback
2001  B-52
2007  Dust
2017  Shakkei. Geborgte Landschaften

Editor:
1966  Das Vöglein
1967  3000 Houses
1968  Johnson & Co. and the Campaign Against Poverty
1970  Die Teilung aller Tage
1971  Something Self Explanatory (15x)
1973  Einmal wirst auch du mich lieben. Über die Bedeutung von Heftromanen
1974  Kino/Kritik. Über die Wörter, den Sinn und das Geld von Filmen
1975  Auf Biegen oder Brechen
1975  Telekritik: Unter einem Himmel schwarz von Häusern von erloschenen Bränden schwarz
1976  Der Schauplatz des Krieges. Das Kino von John Ford
1977  Karawane der Wörter
1981  Highway 40 West
1983  Deutschlandbilder
1986  Reichsautobahn
1988  Cinema and Death
1989  The VW Complex
1990  Isaak Babel - Die Reiterarmee
1991  Barrage and Bunker
1991  The Cinema and the Wind and Photography
1992  Die UFA
1995  Imaginary Architecture, the architect Hans Scharoun
1995  Playback
2001  B-52
2007  Dust
2017  Shakkei. Geborgte Landschaften

Producer:
1966  Das Vöglein
1967  3000 Houses
1968  Johnson & Co. and the Campaign Against Poverty
1970  Die Teilung aller Tage
1971  Something Self Explanatory (15x)
1973  Einmal wirst auch du mich lieben. Über die Bedeutung von Heftromanen
1974  Kino/Kritik. Über die Wörter, den Sinn und das Geld von Filmen
1975  Auf Biegen oder Brechen
1975  Telekritik: Unter einem Himmel schwarz von Häusern von erloschenen Bränden schwarz
1976  Der Schauplatz des Krieges. Das Kino von John Ford
1977  Karawane der Wörter
1979  Putting Things Straight
1981  Highway 40 West
1983  Deutschlandbilder
1986  Reichsautobahn
1988  Cinema and Death
1989  The VW Complex
1990  Isaak Babel - Die Reiterarmee
1991  Barrage and Bunker
1991  The Cinema and the Wind and Photography
1992  Die UFA
1995  Imaginary Architecture, the architect Hans Scharoun
1995  Playback
2001  B-52
2007  Dust
2007  Half Hours
2008  Es geht um Alles
2009  Sparrows
2017  Shakkei. Geborgte Landschaften

Screenplay:
1966  Das Vöglein
1967  3000 Houses
1968  Johnson & Co. and the Campaign Against Poverty
1970  Die Teilung aller Tage
1971  Something Self Explanatory (15x)
1973  Einmal wirst auch du mich lieben. Über die Bedeutung von Heftromanen
1974  Kino/Kritik. Über die Wörter, den Sinn und das Geld von Filmen
1975  Auf Biegen oder Brechen
1975  Telekritik: Unter einem Himmel schwarz von Häusern von erloschenen Bränden schwarz
1976  Der Schauplatz des Krieges. Das Kino von John Ford
1977  Karawane der Wörter
1979  Putting Things Straight
1981  Highway 40 West
1983  Deutschlandbilder
1986  Reichsautobahn
1988  Cinema and Death
1989  The VW Complex
1990  Isaak Babel - Die Reiterarmee
1991  Barrage and Bunker
1991  The Cinema and the Wind and Photography
1992  Die UFA
1995  Imaginary Architecture, the architect Hans Scharoun
1995  Playback
2001  B-52
2007  Dust
2007  Half Hours
2008  Es geht um Alles
2009  Sparrows
2017  Shakkei. Geborgte Landschaften

Thanks:
1966  Das Vöglein
1967  3000 Houses
1968  Johnson & Co. and the Campaign Against Poverty
1970  Die Teilung aller Tage
1971  Something Self Explanatory (15x)
1973  Einmal wirst auch du mich lieben. Über die Bedeutung von Heftromanen
1974  Kino/Kritik. Über die Wörter, den Sinn und das Geld von Filmen
1975  Auf Biegen oder Brechen
1975  Telekritik: Unter einem Himmel schwarz von Häusern von erloschenen Bränden schwarz
1976  Der Schauplatz des Krieges. Das Kino von John Ford
1977  Karawane der Wörter
1979  Putting Things Straight
1981  Highway 40 West
1983  Deutschlandbilder
1986  Reichsautobahn
1988  Cinema and Death
1989  The VW Complex
1990  Isaak Babel - Die Reiterarmee
1991  Barrage and Bunker
1991  The Cinema and the Wind and Photography
1992  Die UFA
1995  Imaginary Architecture, the architect Hans Scharoun
1995  Playback
1995  Workers Leaving the Factory
2001  B-52
2007  Dust
2007  Half Hours
2008  Es geht um Alles
2009  Sparrows
2017  Shakkei. Geborgte Landschaften

Writer:
1966  Das Vöglein
1967  3000 Houses
1968  Johnson & Co. and the Campaign Against Poverty
1970  Die Teilung aller Tage
1971  Something Self Explanatory (15x)
1973  Einmal wirst auch du mich lieben. Über die Bedeutung von Heftromanen
1974  Kino/Kritik. Über die Wörter, den Sinn und das Geld von Filmen
1975  Auf Biegen oder Brechen
1975  Telekritik: Unter einem Himmel schwarz von Häusern von erloschenen Bränden schwarz
1976  Der Schauplatz des Krieges. Das Kino von John Ford
1977  Karawane der Wörter
1979  Putting Things Straight
1981  Highway 40 West
1983  Deutschlandbilder
1986  Reichsautobahn
1988  Cinema and Death
1989  The VW Complex
1990  Isaak Babel - Die Reiterarmee
1991  Barrage and Bunker
1991  The Cinema and the Wind and Photography
1992  Die UFA
1995  Imaginary Architecture, the architect Hans Scharoun
1995  Playback
1995  Workers Leaving the Factory
2001  B-52
2007  Dust
2007  Half Hours
2008  Es geht um Alles
2009  Sparrows
2017  Shakkei. Geborgte Landschaften

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.