Saskia Rosendahl (b. 1993)

Alias:
Saskia-Sophie Rosendahl

Birthplace:
Halle an der Saale, Germany

Born:
July 9, 1993

Saskia-Sophie Rosendahl (born 9 July 1993) is a German actress. She is best known for her role in the film Lore (2012), for which she won the AACTA Award for Best Young Actor.  Saskia Rosendahl began her career with the children's ballet of the Halle Opera, with which she performed various theatre appearances from 2001 to 2011. From 2008 to 2011 she worked as an actress in productions of the improvisational theatre "Kaltstart" and the New Theatre Halle. In 2010, Rosendahl made her cinema debut in Wolfgang Dinslage's film Für Elise. In 2011, while still at school, she took on the lead role in Cate Shortland's German-language anti-war drama Lore, which won the audience award at the Locarno Film Festival in 2012 and was the official Australian entry for the 2013 Academy Awards in the category “Best Foreign Language Film”. The magazine Variety praised the maturity and security of the portrayal of her complex role and called Rosendahl an "exciting new talent". At the 23rd Stockholm International Film Festival, she received the award for “Best Actress” for her role in Lore, and at the presentation of the Australian AACTA Award in 2013, she was honored as the best young actress.  She graduated from school in 2012 and was part of the ensemble of Vivian Naefe's cinema adaptation of the book bestseller The Taste of Apple Seeds. From August to October 2012, she was directed by Denis Dercourt in a leading role in the movie A Pact in front of the camera. At the Berlinale 2013, Rosendahl was presented by the European Film Promotion as one of the ten European “Shooting Stars”. In the same year, she received a nomination for the New Faces Award for Best Young Actress. In Lindenberg! Do your thing (2020) she plays Petra, immortalized in the song "Mädchen aus Ostberlin" by Udo Lindenberg.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.