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Malcolm Dixelius (b. 1948)

Born:
April 23, 1948

Biography from TheMovieDB

Johan Malcolm Dixelius is a Swedish journalist, filmmaker and a Russia connoisseur.

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Additional information:

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Film Performances

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Film Production

Director:
2004  CCCP Hockey
2009  Koenigsegg: Drömbilen och drömaffären
2011  Den kubanske översten, den ryske generalen och jordens (nära) undergång

Executive Producer:
2004  CCCP Hockey
2009  Koenigsegg: Drömbilen och drömaffären
2011  Den kubanske översten, den ryske generalen och jordens (nära) undergång
2014  Hästmannen – sista striden

Producer:
2004  CCCP Hockey
2006  The Horseman
2009  Koenigsegg: Drömbilen och drömaffären
2011  A Bitter Taste of Freedom
2011  Den kubanske översten, den ryske generalen och jordens (nära) undergång
2014  Crossroads
2014  Hästmannen – sista striden
2014  The Gas Weapon
2015  Vrak i Östersjön: förlorade för världen

Production Consultant:
2004  CCCP Hockey
2006  The Horseman
2009  Koenigsegg: Drömbilen och drömaffären
2011  A Bitter Taste of Freedom
2011  Den kubanske översten, den ryske generalen och jordens (nära) undergång
2014  Crossroads
2014  Hästmannen – sista striden
2014  The Gas Weapon
2015  Vrak i Östersjön: förlorade för världen
2023  A Pan-African Mission

Writer:
2004  CCCP Hockey
2005  Lasermannen - dokumentären
2006  The Horseman
2009  Koenigsegg: Drömbilen och drömaffären
2011  A Bitter Taste of Freedom
2011  Den kubanske översten, den ryske generalen och jordens (nära) undergång
2011  Women with Cows
2014  Crossroads
2014  Hästmannen – sista striden
2014  The Gas Weapon
2015  Vrak i Östersjön: förlorade för världen
2023  A Pan-African Mission

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TV Production

Creator:
1971  Vetenskapens värld

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.