Martine Chartrand (b. 1962)

Birthplace:
Montréal, Québec, Canada

Born:
January 4, 1962

Martine Chartrand completed a BFA in visual arts at Concordia University and a certificate in art education from the Université du Québec à Montréal. She is a Quebecoise-Haitian painter and filmmaker. In 1992, she directed the award-winning short T.V. Tango, for the NFB. In 1994, she received a grant from the Conseil des arts et des lettres du Québec and from the Canada Council for the Arts enabling her to study in Russia under Alexander Petrov, a master of paint-on-glass animation. In 2000, she made her second NFB’s film, Black Soul. A paint-on-glass animated short that traces the memory of Black History, the film has won 23 awards, including the Golden Bear in Berlin 2001.  Her third film, MacPherson, inspired by the song by Félix Leclerc, is a paint-on glass animated film bursting with poetry, history and musical diversity. MacPherson won the First prize and The Best Canadian Short Film public award, at the Montreal International World Film Festival in 2012. Martine is regularly invited to different countries to give masterclasses.  The Animation Film Summits and the Cinémathèque québécoise award the 2020 René-Jodoin Prize to Martine Chartrand, a prominent, influential and committed personality in Canadian animation.

Additional information:

The Search Form


Animation:
2000  Black Soul

Cinematography:
2000  Black Soul

Director:
1992  T.V. Tango
1996  Children First!
2000  Black Soul
2013  MacPherson

Screenplay:
1992  T.V. Tango
1996  Children First!
2000  Black Soul
2013  MacPherson

Thanks:
1992  T.V. Tango
1996  Children First!
2000  Black Soul
2013  MacPherson
2020  The Fourfold

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.