A work in constant progress (and occasional regress).
Birthplace:
Yerevan, Armenia
Born:
January 1, 1977
Inna Sahakyan is a documentary director, producer, and scriptwriter, born and raised in Yerevan, Armenia. Inna’s work focuses on uncovering untold stories on the nature of humanity via creative and intimate filmmaking. Her feature-length debut as a director, The Last Tightrope Dancer in Armenia (2010, co-directed with Arman Yeritsyan), told the story of two of Armenia’s most celebrated tightrope dancers and was awarded the Best Armenian Film Award at the Golden Apricot IFF. One of Inna’s recent documentaries, an Armenia-Netherlands co-production, Mel (2021, co-directed with Paul Cohen), follows the story of the once beloved female weightlifting champion whose reputation was tarnished when his identity as a transgender male became public knowledge. The film was awarded a special mention at the Thessaloniki IDFF in 2022. In 2022, Inna completed the feature-length animated narrative documentary Aurora’s Sunrise. A monumental seven-year project made in co-production with Germany and Lithuania, it tells the true story of how a fourteen-year-old girl escaped the slaughter of the Armenian genocide and embarked upon an odyssey that took her to the heights of Hollywood stardom.
Director:
2011 The Last Tightrope Dancer in Armenia
2022 Mel
2023 Aurora's Sunrise
Producer:
2011 The Last Tightrope Dancer in Armenia
2022 Mel
2023 Aurora's Sunrise
Writer:
2011 The Last Tightrope Dancer in Armenia
2022 Mel
2023 Aurora's Sunrise
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.