A work in constant progress (and occasional regress).
Executive Producer:
1953 El mariachi desconocido
Producer:
1936 Celos
1937 Así es mi tierra
1938 Águila o sol
1939 The Sign of Death
1948 Músico, poeta y loco
1949 Cuando los padres se quedan solos
1949 Soy Charro de Levita
1950 The King of the Neighborhood
1950 The Mark of the Skunk
1950 Vagabunda
1951 Hell Road
1951 In the Palm of Your Hand
1951 Mujeres sin mañana
1951 Oh, Love… How Have You Put Me!
1951 The Troublemaker
1952 El Ceniciento
1952 Night Falls
1952 The Sleeping Beauty
1953 El mariachi desconocido
1953 El vagabundo
1953 Las cariñosas
1953 My Three Merry Widows
1954 Mulata
1954 Prisionera del pasado
1954 Reto a la vida
1954 The Count of Monte Cristo
1955 Los líos de Barba Azul
1955 Para siempre
1957 El gato sin botas
1957 The Champion Cyclist
1958 Refifí entre las mujeres
1968 Agente 00 Sexy
1971 Temporada salvaje
1982 Showdown at Eagle Gap
Writer:
1936 Celos
1937 Así es mi tierra
1938 Águila o sol
1939 The Sign of Death
1948 Músico, poeta y loco
1949 Cuando los padres se quedan solos
1949 Soy Charro de Levita
1950 The King of the Neighborhood
1950 The Mark of the Skunk
1950 Vagabunda
1951 Hell Road
1951 In the Palm of Your Hand
1951 Mujeres sin mañana
1951 Oh, Love… How Have You Put Me!
1951 The Troublemaker
1952 El Ceniciento
1952 Night Falls
1952 The Sleeping Beauty
1953 El mariachi desconocido
1953 El vagabundo
1953 Las cariñosas
1953 My Three Merry Widows
1954 Mulata
1954 Prisionera del pasado
1954 Reto a la vida
1954 The Count of Monte Cristo
1955 Los líos de Barba Azul
1955 Para siempre
1957 El gato sin botas
1957 The Champion Cyclist
1958 Refifí entre las mujeres
1968 Agente 00 Sexy
1971 Temporada salvaje
1982 Showdown at Eagle Gap
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.