Kathryn Bostic

Additional information:

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Executive Producer:
2019  Clemency

Music:
2019  Clemency
2021  $avvy
2021  Amy Tan: Unintended Memoir
2022  Lowndes County and the Road to Black Power
2022  Marian Anderson: The Whole World in Her Hands
2023  The League

Original Music Composer:
2004  A Place of Our Own
2010  I Will Follow
2012  Middle of Nowhere
2014  Dear White People
2014  Little White Lie
2015  In a Perfect World
2016  Equal Means Equal
2017  Purple Dreams
2018  Bias
2018  The Groveland Four
2018  Wrestling Ghosts
2019  Clemency
2019  Holiday Rush
2019  The Green Book: Guide to Freedom
2019  Toni Morrison: The Pieces I Am
2020  Vinyl Nation
2021  $avvy
2021  Amy Tan: Unintended Memoir
2021  Black Art: In the Absence of Light
2021  Rita Moreno: Just a Girl Who Decided to Go for It
2022  Lowndes County and the Road to Black Power
2022  Marian Anderson: The Whole World in Her Hands
2022  The Rebellious Life of Mrs. Rosa Parks
2022  Who We Are: A Chronicle of Racism in America
2023  Lift
2023  The Cost of Inheritance
2023  The League
2024  The Supremes at Earl's All-You-Can-Eat

Sound:
2004  A Place of Our Own
2010  I Will Follow
2012  Middle of Nowhere
2014  Dear White People
2014  Little White Lie
2015  In a Perfect World
2016  Equal Means Equal
2017  Purple Dreams
2018  Bias
2018  The Groveland Four
2018  Wrestling Ghosts
2019  Clemency
2019  Holiday Rush
2019  Screenagers Next Chapter: Addressing Youth Mental Health in the Digital Age
2019  The Green Book: Guide to Freedom
2019  Toni Morrison: The Pieces I Am
2020  Vinyl Nation
2021  $avvy
2021  Amy Tan: Unintended Memoir
2021  Black Art: In the Absence of Light
2021  Rita Moreno: Just a Girl Who Decided to Go for It
2022  Lowndes County and the Road to Black Power
2022  Marian Anderson: The Whole World in Her Hands
2022  The Rebellious Life of Mrs. Rosa Parks
2022  Who We Are: A Chronicle of Racism in America
2023  Lift
2023  The Cost of Inheritance
2023  The League
2024  The Supremes at Earl's All-You-Can-Eat

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.