Liza Pulman

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Liza is a member of the Olivier award nominated Fascinating Aïda and most recently performed in their latest act Absolutely Fabulous at Pizza on the Park in London and Theater Row in New York where they received a 2005 Drama Desk nomination. She most recently appeared in the current series of Midsomer Murders on the BBC.    Theatre credits:    Liza trained at the Guildhall School of Music and Drama, and her theatre credits include The Black and White Ball (King’s Head Theatre) The Fairy Godmother in Cinderella (Theatre Royal, Brighton) The Mother in Take Flight (Menier Chocolate Factory) Mrs Darling in Peter Pan (Bristol Hippodrome) Little Red Riding Hood in Into the Woods (Derby Playhouse), Fanny in Fanny (Sadlers Wells, Lost Musicals Season), Violet in the original cast of Chitty Chitty Bang Bang (London Palladium), Tessa in The Gondoliers, Nephew’s Wife in A Christmas Carol (Chichester Festival Theatre), Emma Fairfax in Doctor Dolittle opposite Philip Schofield (No.1 UK Tour), Mrs Darling in Peter Pan(Swindon), Goldilocks in Who’s Afraid of the Big Bad Book (Soho Theatre), Lady Nelson in Nelson The Musical (Soho Theatre), Maid Marian in Robin Hood (Nuffield Theatre, Southhampton), Vittoria in The Coffee House (Minerva, Chichester), Tatyana in Eugene Onegin, Adele in Die Fledermaus (Lyric, Hammersmith/Tour), Cathy in Wuthering Height (European Tour), Brenda Blossom in Hollywood Pinafore (Barbican), Belinda in Otherwise Engaged (Perth Rep), Yum-Yum in The Mikado (Carla Rosa, Richmond Theatre, Tour), La Vie Parisienne in Gabrielle (D’Oyly Carte).    Liza appears on the original cast album of Chitty Chitty Bang Bang, Fascinating Aïda’s Absolutely Fabulous and Jason Carr’s album Listen Up! (Dress Circle Records).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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