Beth Kennedy

Beth Kennedy received the Los Angeles Drama Critics' Circle Natalie Shaffer Award for Emerging Comic Actress. Film appearances include New Year's Eve, Valentine's Day and Georgia Rule all directed by the legendary Garry Marshall. She also appeared in the film Race to Witch Mountain as well as many independent movies. Television appearances include Marvel's Agents of S.H.I.E.L.D., Stalker, The Bridge, Anger Management, CSI, Review with Forrest MacNeil and The Gilmore Girls among others. On stage, Beth performed in Garry Marshall's opera directing debut, The Grand Duchess, at the Los Angeles Opera as well as in numerous main stage productions with the Troubadour Theater Company at Mr. Marshall's Falcon Theatre in Burbank, California. Her theater credits include frequent appearances with the Troubadour Theater Company of which she is a producing associate. She has performed and co-produced in most of their sold-out productions. At the Getty Villa, Beth co-produced and performed in Abbamemnon, For the Birds and Oedipus the King, Mama! (Ovation Award winner for Production of a Musical). Beth can be seen in numerous national television commercials including Monopoly Millionaire National Lottery, Daisy Sour Cream, Toyota, Comcast, Chex Mix, Playstation, Walgreens and Dreyer's Ice Cream among others. She received her MFA in Theatre from California Institute of the Arts and her BA in Business Administration from Loyola Marymount University.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.