A work in constant progress (and occasional regress).
Born:
January 1, 1978
Louise Narboni was born in 1978. After studies in Cinema and operatic singing, she turned to shooting musical films. She is also a musical script, assistant to Opera direction and film editor, most notably on Jean-Paul Civeyrac' films, Filles en noir (2010) and Malika s’est envolée (2008). Her work includes: in 2011, Brahms 's Concerto for piano n°2, Dvorak's Symphony n°5, by the Paris Orchestra and Leif Ove Andsnes conducted by Paavo Järvi (France TV/Mezzo), Les Contes du chat perché, opéra rural, directed by Caroline Gauthier, music by Jean-baptiste Singier (Arte).
Camera Operator:
2019 Le Nozze di Figaro
Director:
2009 Vladimir Jurowski conducts the Chamber Orchestra of Europe with Helene Grimaud - Strauss & Ravel
2012 Artaserse
2013 After a Dream
2014 Rain
2016 Saint-Saëns: Samson et Dalila
2017 Love: Chapter 2
2019 Le Nozze di Figaro
2019 Sad Song
2019 The Great Ghosts
2021 Brise-Lames
2023 Rone - L(oo)ping
Editor:
2008 Malika is Gone
2009 Vladimir Jurowski conducts the Chamber Orchestra of Europe with Helene Grimaud - Strauss & Ravel
2010 Young Girls in Black
2012 An Hour with Alice
2012 Artaserse
2013 After a Dream
2014 My Friend Victoria
2014 Rain
2016 A Day of Blues at Elena's
2016 Saint-Saëns: Samson et Dalila
2017 Love: Chapter 2
2018 A Paris Education
2019 Aline
2019 Le Nozze di Figaro
2019 Sad Song
2019 The Great Ghosts
2021 Brise-Lames
2023 Rone - L(oo)ping
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.