A work in constant progress (and occasional regress).
Alias:
Michael Holoboff
Birthplace:
Veregin - Saskatchawan - Canada
Born:
December 1, 1910
Died:
December 7, 1961
The fourth of five children of Russian immigrant parents Alexei Holoboff and Vasalisa Perepolkin. Around 1922 the Holoboff family came to Los Angeles, some becoming employees of the Goodyear Tire factory. Eventually, most returned to farming in Canada, but Mike remained in Southern California, attending school while living with his older brother Sam. Sometime in the early thirties Mike started work at the Hyperion Studio. Like most early employees, he was probably personally interviewed and hired by Walt Disney. He worked on Snow White (1938), Bambi (1942), Pinocchio (1940), and Fantasia (1942) as an uncredited assistant director. For the 1945 mixed animation-live action film Three Caballeros, Mike was an assistant sequence director. He was again an assistant director on Fun and Fancy Free (1947), Melody Time, and Cinderella (1950). Mike's career was centered around on the production side of animation and live-action filming, and he generally did not have creative input into the finished product. When Disney entered the television era, Mike finally got a chance to direct, with The Disneyland Story episode of Disneyland in 1954.-http://www.originalmmc.com/holoboff.html
Assistant Director:
1937 Snow White and the Seven Dwarfs
1938 Brave Little Tailor
1940 Pinocchio
1954 The Disneyland Story
2001 Everybody Loves Mickey
Second Unit:
1937 Snow White and the Seven Dwarfs
1938 Brave Little Tailor
1939 Society Dog Show
1940 Pinocchio
1954 The Disneyland Story
2001 Everybody Loves Mickey
Production Supervisor:
1957 The Adventures of Clint and Mac
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.