Corentin Lobet (b. 1979)

Birthplace:
Bruxelles, Belgique

Born:
January 1, 1979

Corentin Lobet est un acteur belge né en 1979 à Bruxelles. Il a étudié l'art dramatique à l'IAD d'où il est sorti diplômé en 2003. Très tôt, il collabore déjà à divers projets d'envergure au cinéma et à la télévision: en 2003 il interprète l'un des rôles principaux dans «La maison du canal» d'Alain Berliner. Depuis, il a tourné dans une quarantaine de projets pour le cinéma et la télévision avec des réalisateurs tels que Jean-Paul Salomé, Frédéric Fonteyne, Mathieu Donck, Rachid Bouchareb, Lucas Belvaux, Micha Wald, Costa Gavras, Chantal Akerman, Delphine Noels, etc. Après une année 2013 où il collabore à pas moins de cinq projets dont une prestation haute en couleurs dans «Je fais le mort» de Jean Paul Salomé, il joue en 2014 aux côtés d'Yvan Attal dans «Le dernier diamant» d’Éric Barbier et «Son épouse» de Michel Spinoza ainsi que dans «Osez la macédoine», court métrage remarqué de Guérin van de Vorst. Parallèlement, il poursuit une carrière au théâtre. On l'a vu entre autre au Théâtre de Poche dans «No man's land» et «Le projet H.L.A.», au Théâtre du Parc de Bruxelles dans «Don Quichotte», à l'Atelier 210 dans «Kvetch», à Avignon dans «Velouté»,... et plus récemment au Centre Culturel des Riches-Claires dans «Les gens bien n'osent plus sortir le soir». En 2014, il créé avec Sebastian Moradiellos l'ASBL "Ton Texte Georges!". Le spectacle "Jeremy Fisher", qui sera présenté cet été aux rencontres du théâtre jeune public à Huy, en est la première production.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.