A work in constant progress (and occasional regress).
Alias:
Amaia Merino
Birthplace:
San Sebastián, Spain
Amaia Merino (San Sebastián, 1970) is an actress, director, writer and editor. She lives in Ecuador, where she works as an editor and screenwriter of non-fiction films. During the last fifteen years he has made feature films such as Blak Mama, Más allá del Mall, Resonancia, En espera, El pan nuestro, 1809-1810 Mientras llega el día y Asier ETA biok (Asier y yo).
Assistant Director:
2010 Beyond the mall
Director:
2010 Beyond the mall
2014 Asier ETA biok
2018 Tierra de mujeres
2021 Where Is Mikel?
2024 Let It Know
Editor:
2004 1809-1810: mientras llega el día
2006 Ecuador vs. el resto del mundo
2008 Mete gol, gana
2010 Beyond the mall
2010 The silent walls
2011 On Hold
2013 Resonancia
2014 Asier ETA biok
2015 El Panóptico Ciego
2015 Vengo Volviendo
2016 Chuquiragua
2016 Take Me for a Ride
2018 Tierra de mujeres
2019 The Longest Night
2021 Where Is Mikel?
2022 The Border
2023 Mirande
2024 Chuzalongo
2024 Europa
2024 Komando Marmitako
2024 Let It Know
Executive Producer:
2004 1809-1810: mientras llega el día
2006 Ecuador vs. el resto del mundo
2008 Mete gol, gana
2010 Beyond the mall
2010 The silent walls
2011 On Hold
2013 Resonancia
2014 Asier ETA biok
2015 El Panóptico Ciego
2015 Vengo Volviendo
2016 Chuquiragua
2016 Take Me for a Ride
2018 Tierra de mujeres
2019 The Longest Night
2021 Where Is Mikel?
2022 The Border
2023 Mirande
2024 Chuzalongo
2024 Europa
2024 Komando Marmitako
2024 Let It Know
Makeup & Hair Assistant:
1996 Between Marx and a Naked Woman
2004 1809-1810: mientras llega el día
2006 Ecuador vs. el resto del mundo
2008 Mete gol, gana
2010 Beyond the mall
2010 The silent walls
2011 On Hold
2013 Resonancia
2014 Asier ETA biok
2015 El Panóptico Ciego
2015 Vengo Volviendo
2016 Chuquiragua
2016 Take Me for a Ride
2018 Tierra de mujeres
2019 The Longest Night
2021 Where Is Mikel?
2022 The Border
2023 Mirande
2024 Chuzalongo
2024 Europa
2024 Komando Marmitako
2024 Let It Know
Producer:
1996 Between Marx and a Naked Woman
2004 1809-1810: mientras llega el día
2006 Ecuador vs. el resto del mundo
2008 Mete gol, gana
2010 Beyond the mall
2010 The silent walls
2011 On Hold
2013 Resonancia
2014 Asier ETA biok
2015 El Panóptico Ciego
2015 Vengo Volviendo
2016 Chuquiragua
2016 Take Me for a Ride
2018 Tierra de mujeres
2019 The Longest Night
2021 Where Is Mikel?
2022 The Border
2023 Mirande
2024 Chuzalongo
2024 Europa
2024 Komando Marmitako
2024 Let It Know
Screenplay:
1996 Between Marx and a Naked Woman
2004 1809-1810: mientras llega el día
2006 Ecuador vs. el resto del mundo
2008 Mete gol, gana
2010 Beyond the mall
2010 The silent walls
2011 On Hold
2013 Resonancia
2014 Asier ETA biok
2015 El Panóptico Ciego
2015 Vengo Volviendo
2016 Chuquiragua
2016 Take Me for a Ride
2018 Tierra de mujeres
2019 The Longest Night
2021 Where Is Mikel?
2022 The Border
2023 Mirande
2024 Chuzalongo
2024 Europa
2024 Komando Marmitako
2024 Let It Know
Writer:
1996 Between Marx and a Naked Woman
2004 1809-1810: mientras llega el día
2006 Ecuador vs. el resto del mundo
2008 Mete gol, gana
2010 Beyond the mall
2010 The silent walls
2011 On Hold
2013 Resonancia
2014 Asier ETA biok
2015 El Panóptico Ciego
2015 Vengo Volviendo
2016 Chuquiragua
2016 Take Me for a Ride
2018 Tierra de mujeres
2019 The Longest Night
2021 Fantasía
2021 Where Is Mikel?
2022 The Border
2023 Mirande
2024 Chuzalongo
2024 Europa
2024 Komando Marmitako
2024 Let It Know
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.