A work in constant progress (and occasional regress).
Art Direction:
1988 Jan Cox, a Painter's Odyssey
2002 Villa Des Roses
2011 Madonna's Pig
2012 High Heels, Low Tide
Assistant Art Director:
1988 Jan Cox, a Painter's Odyssey
2002 Villa Des Roses
2011 Madonna's Pig
2012 High Heels, Low Tide
2021 CYCLE
Production Design:
1988 Jan Cox, a Painter's Odyssey
1999 Shades
2000 Badry's Alibi
2002 Villa Des Roses
2008 Left Bank
2011 Madonna's Pig
2012 High Heels, Low Tide
2013 Madly in Love
2013 The Verdict
2014 The Treatment
2015 The Escape
2021 CYCLE
Set Dressing Supervisor:
1988 Jan Cox, a Painter's Odyssey
1989 Blueberry Hill
1999 Shades
2000 Badry's Alibi
2002 Villa Des Roses
2008 Left Bank
2011 Madonna's Pig
2012 High Heels, Low Tide
2013 Madly in Love
2013 The Verdict
2014 The Treatment
2015 The Escape
2021 CYCLE
Production Design:
2018 13 Commandments
Production Designer:
2018 13 Commandments
2019 Undercover
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.