Francisco Bulgarelli

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"A" Camera Operator:
2014  Griot's Lament

Additional Camera:
2014  Griot's Lament
2018  Alt-Right: Age of Rage
2018  Shoot

Camera Operator:
2011  Cell/Phone
2014  Griot's Lament
2018  Alt-Right: Age of Rage
2018  Shoot

Cinematography:
2011  Cell/Phone
2014  Griot's Lament
2018  Alt-Right: Age of Rage
2018  Shoot
2023  Mailman

Director of Photography:
2008  Dada
2009  Not Even Death
2010  Finding Bella
2010  Page 36
2011  Cell/Phone
2014  Griot's Lament
2014  This Time
2015  Endgame
2015  Motivation 2: The Chris Cole Story
2018  Alt-Right: Age of Rage
2018  Return to Seattle
2018  Shoot
2019  DC Noir
2023  Mailman

Electrician:
2008  Columbus Day
2008  Dada
2009  Not Even Death
2010  Finding Bella
2010  Page 36
2011  Cell/Phone
2014  Griot's Lament
2014  This Time
2015  Endgame
2015  Motivation 2: The Chris Cole Story
2018  Alt-Right: Age of Rage
2018  Return to Seattle
2018  Shoot
2019  DC Noir
2023  Mailman

"B" Camera Operator:
2020  Cherish the Day

"C" Camera Operator:
2016  Insecure
2017  Future Man
2020  Cherish the Day

Camera Operator:
2012  Blood Relatives
2014  Gortimer Gibbon's Life on Normal Street
2015  Stitchers
2016  Insecure
2017  A Kid Called Mayonnaise
2017  Future Man
2017  Mystery Science Theater 3000
2020  Cherish the Day
2020  Reno 911!
2023  The Consultant

Second Unit Director of Photography:
2012  Blood Relatives
2014  Gortimer Gibbon's Life on Normal Street
2015  Stitchers
2016  Insecure
2017  A Kid Called Mayonnaise
2017  Future Man
2017  Mystery Science Theater 3000
2020  Cherish the Day
2020  Reno 911!
2023  The Consultant

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.