Home

Julia Murat (b. 1979)

Alias:
Júlia Murat

Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil

Born:
November 24, 1979

Biography from TheMovieDB

Graduated from the design school "Escola de Belas Artes - UFRJ", and at film school "Escola de Cinema Darcy Ribeiro" as a screenwriter, Julia works in film since 1996. She has made short-films, experimental videos, commercials and the video-installation "Desvelar". "Dia dos Pais" is her first feature film. She also has a large experience working as an editor, assistant director, and camera assistant. Julia works on the limit between beaux arts and film. Julia has been working on the script of "Let the old dying ones give way to the new dying ones" since 2005. It was originally written during the screenwriting course at Darcy Ribeiro film school. The script was published in the "Caderno de Cinema", released by the school in the same year. In 2006 Julia went to Spain with Maria Clara Escobar, to develop the script in the "IV Curso de desarrollo de proyectos cinematográficos Iberoamericanos". They were supervised by José Carlos Avellar (Brazil) and Jorge Goldenberg (Argentina).

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Assistant Director:
2008  Maré, Our Love Story

Associate Producer:
2008  Maré, Our Love Story
2021  The Fever

Cinematography:
2001  A velha, o canto, as fotos
2008  Maré, Our Love Story
2021  The Fever

Director:
2001  A velha, o canto, as fotos
2002  Cinetismo Luminoso
2002  Movimento Intrínseco
2004  Ausência
2004  Desvelar
2008  Father's Day
2008  Maré, Our Love Story
2009  Pendular
2012  Found Memories
2017  Operações de Garantia da Lei e da Ordem
2017  Pendular
2021  The Fever
2023  Rule 34

Editor:
2001  A velha, o canto, as fotos
2002  Cinetismo Luminoso
2002  Movimento Intrínseco
2004  Ausência
2004  Desvelar
2007  OK
2008  Father's Day
2008  Maré, Our Love Story
2009  Pendular
2012  Found Memories
2013  Satellites
2014  The Days with Him
2017  Operações de Garantia da Lei e da Ordem
2017  Pendular
2021  The Fever
2023  Rule 34

Producer:
2001  A velha, o canto, as fotos
2002  Cinetismo Luminoso
2002  Movimento Intrínseco
2004  Ausência
2004  Desvelar
2007  OK
2008  Father's Day
2008  Maré, Our Love Story
2009  Pendular
2012  Found Memories
2013  Satellites
2014  The Days with Him
2017  Operações de Garantia da Lei e da Ordem
2017  Pendular
2018  Lower House
2021  Fireflies
2021  The Fever
2023  Rule 34

Screenplay:
2001  A velha, o canto, as fotos
2002  Cinetismo Luminoso
2002  Movimento Intrínseco
2004  Ausência
2004  Desvelar
2007  OK
2008  Father's Day
2008  Maré, Our Love Story
2009  Pendular
2012  Found Memories
2013  Satellites
2014  The Days with Him
2017  Operações de Garantia da Lei e da Ordem
2017  Pendular
2018  Lower House
2021  Fireflies
2021  The Fever
2023  Rule 34

Writer:
2001  A velha, o canto, as fotos
2002  Cinetismo Luminoso
2002  Movimento Intrínseco
2004  Ausência
2004  Desvelar
2007  OK
2008  Father's Day
2008  Maré, Our Love Story
2009  Pendular
2012  Found Memories
2013  Satellites
2014  The Days with Him
2017  Operações de Garantia da Lei e da Ordem
2017  Pendular
2018  Lower House
2020  Shine Your Eyes
2021  Fireflies
2021  The Fever
2023  Rule 34

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.