A work in constant progress (and occasional regress).
Justin McConnell is a cinematographer and editor, known for Skull World (2013), Broken Mile (2016) and Minutes Past Midnight (2016).
Camera Operator:
2020 Clapboard Jungle: Surviving the Independent Film Business
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
Cinematography:
2008 Working Class Rock Star
2015 Black Christmas Legacy
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
Co-Producer:
2008 Ending the Eternal
2008 Working Class Rock Star
2015 Black Christmas Legacy
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
Director:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
Editor:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
Idea:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
Music:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
Producer:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Blood, Sweat And Terrors
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
Screenplay:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Blood, Sweat And Terrors
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
???? Mark of Kane
Writer:
2008 Ending the Eternal
2008 Working Class Rock Star
2011 The Collapsed
2013 Skull World
2014 Damned Selfie
2015 Black Christmas Legacy
2016 Do You See What I See?
2017 Broken Mile
2018 Blood, Sweat And Terrors
2018 Lifechanger
2020 Clapboard Jungle: Surviving the Independent Film Business
2020 Soul Contact
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2024 Galaxy of Horrors
???? Mark of Kane
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.