Caner Alper

M. Caner Alper was born in Izmir in 1970, the second child of a family of four. He remembers that he loved painting, puppetry and dancing. After completing high school at Izmir Turkish College, he entered - reluctantly - Industrial Engineering and even he was surprised to graduate. His interest in theater and cinema, which started in his childhood, turned into a love by performing on stage in middle and high school. He tried to read many books and write short stories and screenplays. He threw most of them away. Before he started working in the textile industry as an engineer, he worked as a cashier in restaurants, as an animator in holiday resorts, as a cabin attendant in airlines and as a subtitle translator for movies. Halfway through, he turned to reading, writing, documentaries and feature films. In addition to about ten unproduced scripts, he wrote and co-directed Zenne (2012), Çekmeceler (2015), Lacrimosa (2020) with Mehmet Binay. In addition to his story collection Bugün Bizde Temizlik Var (2004), memoir Temiz Aile Çocuğu (2019), plays Cam Boncuklar (2019) and Senede Bir Gün (2019), he has written for many magazines and newspapers. She has a dog named Çilli and hopes for the future.

Additional information:

The Search Form


Director:
2012  Zenne Dancer
2015  Drawers
2022  Bergen
2023  Bihter: A Forbidden Passion

Producer:
2008  Whispering Memories
2012  Zenne Dancer
2015  Drawers
2022  Bergen
2023  Bihter: A Forbidden Passion

Writer:
2008  Whispering Memories
2012  Zenne Dancer
2015  Drawers
2022  Bergen
2023  Bihter: A Forbidden Passion

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.