A work in constant progress (and occasional regress).
Born:
November 15, 1885
Died:
July 11, 1937
Adaptation:
1929 The Virginian
1932 No More Orchids
1935 Love in Bloom
Additional Writing:
1929 The Virginian
1932 No More Orchids
1935 Love in Bloom
1937 Artists & Models
Dialogue:
1929 Acquitted
1929 The Virginian
1932 No More Orchids
1935 Love in Bloom
1937 Artists & Models
Scenario Writer:
1925 A Rarin’ Romeo
1929 Acquitted
1929 The Virginian
1931 Fighting Caravans
1932 No More Orchids
1935 Love in Bloom
1937 Artists & Models
Screenplay:
1925 A Rarin’ Romeo
1929 Acquitted
1929 The Virginian
1930 True to the Navy
1931 Fighting Caravans
1931 June Moon
1932 No More Orchids
1933 Mama Loves Papa
1933 The Cheyenne Kid
1935 Love in Bloom
1937 Artists & Models
Story:
1923 Danger Ahead
1923 Let's Go
1925 A Rarin’ Romeo
1928 His Private Life
1929 Acquitted
1929 The Virginian
1930 Only the Brave
1930 True to the Navy
1931 Caught
1931 Fighting Caravans
1931 June Moon
1932 Man Against Woman
1932 No More Orchids
1932 War Correspondent
1933 Mama Loves Papa
1933 The Cheyenne Kid
1934 Six of a Kind
1935 Love in Bloom
1936 Wives Never Know
1937 Artists & Models
Writer:
1923 Danger Ahead
1923 Let's Go
1925 A Rarin’ Romeo
1925 He's a Prince!
1925 Paths to Paradise
1926 Going Crooked
1927 Now We're in the Air
1928 His Private Life
1928 Tillie's Punctured Romance
1929 Acquitted
1929 The Virginian
1929 Wolf Song
1930 Only the Brave
1930 True to the Navy
1931 Caught
1931 Fighting Caravans
1931 June Moon
1931 The Sin Ship
1932 Man Against Woman
1932 No More Orchids
1932 War Correspondent
1933 Mama Loves Papa
1933 The Cheyenne Kid
1934 Six of a Kind
1934 Springtime for Henry
1935 Love in Bloom
1935 Paris in Spring
1936 Wives Never Know
1937 Artists & Models
1945 Mama Loves Papa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.