A work in constant progress (and occasional regress).
Alias:
P.J. Raval
Cinematography:
2004 Gretchen & the Night Danger
2008 Trinidad
2018 Come & Take It
Co-Producer:
2004 Gretchen & the Night Danger
2008 Trinidad
2018 Come & Take It
2019 Pahokee
Director:
2000 100% Cotton
2004 Gretchen & the Night Danger
2004 Lead Role: Father
2008 Trinidad
2013 Before You Know It
2018 Call Her Ganda
2018 Come & Take It
2019 Pahokee
2022 Stories Within
2023 Who We Become
Director of Photography:
2000 100% Cotton
2004 Gretchen & the Night Danger
2004 Lead Role: Father
2005 Room
2006 Gretchen
2007 Chickenfut
2008 Dirt
2008 Trinidad
2008 Trouble the Water
2009 The 2 Bobs
2011 Habibi
2013 Before You Know It
2014 Golden Age of Hustlers
2014 Love & Air Sex
2016 I Hate Big Phony
2016 More Than Four Hours
2018 Call Her Ganda
2018 Come & Take It
2019 Pahokee
2022 Stories Within
2023 Who We Become
Producer:
2000 100% Cotton
2004 Gretchen & the Night Danger
2004 Lead Role: Father
2005 Room
2006 Gretchen
2007 Chickenfut
2008 Dirt
2008 Trinidad
2008 Trouble the Water
2009 The 2 Bobs
2011 Habibi
2013 Before You Know It
2014 Golden Age of Hustlers
2014 Love & Air Sex
2016 I Hate Big Phony
2016 More Than Four Hours
2018 Call Her Ganda
2018 Come & Take It
2019 Pahokee
2022 A Run for More
2022 People Unite!
2022 Stories Within
2023 Who We Become
Writer:
2000 100% Cotton
2004 Gretchen & the Night Danger
2004 Lead Role: Father
2005 Room
2006 Gretchen
2007 Chickenfut
2008 Dirt
2008 Trinidad
2008 Trouble the Water
2009 The 2 Bobs
2011 Habibi
2013 Before You Know It
2014 Golden Age of Hustlers
2014 Love & Air Sex
2016 I Hate Big Phony
2016 More Than Four Hours
2018 Call Her Ganda
2018 Come & Take It
2019 Pahokee
2022 A Run for More
2022 People Unite!
2022 Stories Within
2023 Who We Become
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.