A work in constant progress (and occasional regress).
Birthplace:
Csakanydoroszlo, Hungary
Born:
November 23, 1944
József Antal Eszterhás (Hungarian: [ˈjoːʒɛf ɒntɒl ˈɛstɛrhaːʃ]; born November 23, 1944), credited as Joe Eszterhas, is a Hungarian-American writer. Born in Hungary, he grew up in Cleveland, Ohio, in the United States. After an early career as a journalist and editor, he entered the film industry. His first screenwriting credit was for the film F.I.S.T. (1978). He co-wrote the script for Flashdance, which became one of the highest-grossing films of 1983, and set off a lucrative and prolific run for his career. By the early 1990s, he was known as the highest-paid writer in Hollywood, and noted for his work in the erotic thriller genre. He was paid a then-record $3 million for his script Love Hurts, which was produced as Basic Instinct (1992), and following its success, news outlets reported he earned seven-figure payouts solely on the basis of two-to-four page outlines. Eszterhas' screenwriting career experienced a decline over the rest of the decade, with films such as Showgirls (1995), Jade (1995), and An Alan Smithee Film: Burn Hollywood Burn (1997), the latter receiving negative reviews and performing poorly at the box office. He mostly withdrew from Hollywood afterward, though he has since authored several books. His publications include American Rhapsody (2000), and two volumes of memoirs: Hollywood Animal (2004), an autobiography, and Crossbearer (2008), which detailed his adulthood return to the Catholic faith he was raised in. Description above from the Wikipedia article Joe Eszterhas, licensed under CC-BY-SA, full list of contributors on Wikipedia
Characters:
2006 Basic Instinct 2
Executive Producer:
1988 Betrayed
1989 Music Box
1993 Sliver
2006 Basic Instinct 2
Screenplay:
1978 F.I.S.T.
1983 Flashdance
1985 Jagged Edge
1988 Betrayed
1989 Music Box
1992 Basic Instinct
1993 Nowhere to Run
1993 Sliver
1997 Telling Lies in America
2006 Basic Instinct 2
2006 Children of Glory
Story:
1978 F.I.S.T.
1983 Flashdance
1985 Jagged Edge
1988 Betrayed
1989 Music Box
1992 Basic Instinct
1993 Nowhere to Run
1993 Sliver
1997 Telling Lies in America
2006 Basic Instinct 2
2006 Children of Glory
Thanks:
1978 F.I.S.T.
1983 Flashdance
1985 Jagged Edge
1988 Betrayed
1989 Music Box
1992 Basic Instinct
1993 Nowhere to Run
1993 Sliver
1997 Telling Lies in America
1998 Jackie Chan: My Story
2006 Basic Instinct 2
2006 Children of Glory
Writer:
1978 F.I.S.T.
1983 Flashdance
1985 Jagged Edge
1987 Big Shots
1987 Hearts of Fire
1988 Betrayed
1988 Checking Out
1989 Music Box
1992 Basic Instinct
1993 Nowhere to Run
1993 Sliver
1995 Jade
1995 Showgirls
1997 Telling Lies in America
1998 An Alan Smithee Film: Burn, Hollywood, Burn
1998 Jackie Chan: My Story
2006 Basic Instinct 2
2006 Children of Glory
2022 The Impact
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.