Joe Eszterhas (b. 1944)

Birthplace:
Csakanydoroszlo, Hungary

Born:
November 23, 1944

József Antal Eszterhás (Hungarian: [ˈjoːʒɛf ɒntɒl ˈɛstɛrhaːʃ]; born November 23, 1944), credited as Joe Eszterhas, is a Hungarian-American writer. Born in Hungary, he grew up in Cleveland, Ohio, in the United States. After an early career as a journalist and editor, he entered the film industry. His first screenwriting credit was for the film F.I.S.T. (1978). He co-wrote the script for Flashdance, which became one of the highest-grossing films of 1983, and set off a lucrative and prolific run for his career. By the early 1990s, he was known as the highest-paid writer in Hollywood, and noted for his work in the erotic thriller genre. He was paid a then-record $3 million for his script Love Hurts, which was produced as Basic Instinct (1992), and following its success, news outlets reported he earned seven-figure payouts solely on the basis of two-to-four page outlines.  Eszterhas' screenwriting career experienced a decline over the rest of the decade, with films such as Showgirls (1995), Jade (1995), and An Alan Smithee Film: Burn Hollywood Burn (1997), the latter receiving negative reviews and performing poorly at the box office. He mostly withdrew from Hollywood afterward, though he has since authored several books. His publications include American Rhapsody (2000), and two volumes of memoirs: Hollywood Animal (2004), an autobiography, and Crossbearer (2008), which detailed his adulthood return to the Catholic faith he was raised in.  Description above from the Wikipedia article Joe Eszterhas, licensed under CC-BY-SA, full list of contributors on Wikipedia

Additional information:

The Search Form


Characters:
2006  Basic Instinct 2

Executive Producer:
1988  Betrayed
1989  Music Box
1993  Sliver
2006  Basic Instinct 2

Screenplay:
1978  F.I.S.T.
1983  Flashdance
1985  Jagged Edge
1988  Betrayed
1989  Music Box
1992  Basic Instinct
1993  Nowhere to Run
1993  Sliver
1997  Telling Lies in America
2006  Basic Instinct 2
2006  Children of Glory

Story:
1978  F.I.S.T.
1983  Flashdance
1985  Jagged Edge
1988  Betrayed
1989  Music Box
1992  Basic Instinct
1993  Nowhere to Run
1993  Sliver
1997  Telling Lies in America
2006  Basic Instinct 2
2006  Children of Glory

Thanks:
1978  F.I.S.T.
1983  Flashdance
1985  Jagged Edge
1988  Betrayed
1989  Music Box
1992  Basic Instinct
1993  Nowhere to Run
1993  Sliver
1997  Telling Lies in America
1998  Jackie Chan: My Story
2006  Basic Instinct 2
2006  Children of Glory

Writer:
1978  F.I.S.T.
1983  Flashdance
1985  Jagged Edge
1987  Big Shots
1987  Hearts of Fire
1988  Betrayed
1988  Checking Out
1989  Music Box
1992  Basic Instinct
1993  Nowhere to Run
1993  Sliver
1995  Jade
1995  Showgirls
1997  Telling Lies in America
1998  An Alan Smithee Film: Burn, Hollywood, Burn
1998  Jackie Chan: My Story
2006  Basic Instinct 2
2006  Children of Glory
2022  The Impact

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.