Noel Francis (1906-1959)

Alias:
Noel Frances
Noel Frances Sweeney

Birthplace:
Temple, Texas, USA

Born:
August 31, 1906

Died:
October 30, 1959

Noel Francis was born in Temple, Texas in 1906. By age 20 she was appearing in the Ziegfeld Follies, working opposite the comedy team of Wheeler and Woolsey. Eventually Fox scouts noticed her and in 1929 she was signed to a Hollywood contract. Because of her Follies background, Fox intended to develop Noel as a musical and dance star. Unfortunately, musicals were on the wane at the time (they did rebound) and her contract was dropped. Luckily, she was picked up by Warner Brothers, and featured in a number of films that had her portraying the tough talking, sassy female connected to gangsters, convicts, and other underworld types, so popular with the movie going public then and now.  Noel was rarely given the lead female role, though she worked near the top with some of the era's best actors in films that included Smart Money (1931), in which she is a scheming blonde helping Edward G. Robinson lose his money, and Blonde Crazy (1931), where her target is James Cagney. Her most noted performance was in I Am a Fugitive From a Chain Gang (1932), working with Paul Muni in one of his strongest performances. However, perhaps because of being typecast, she found herself in "B" productions after 1932, though one was as the lead female, in Mayfair Picture Corporation's 1934 What's Your Racket?, opposite Regis Toomey.  Needing work, Noel returned to Broadway, but couldn't resume her career there, and returned to Hollywood to make three final films with Buck Jones, including Stone of Silver Creek (1935), in which she used her Broadway musical expertise to play a saloon singer. Between 1929 and 1937 Noel made 47 films.  She died October 30, 1959 in Los Angeles, California.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.