A work in constant progress (and occasional regress).
Assistant Editor:
2003 Bon Voyage
Editor:
2003 Bon Voyage
2008 I've Loved You So Long
2009 La différence, c'est que c'est pas pareil
2009 The French Kissers
2011 Delicacy
2013 The Brats
2014 Diplomacy
2014 Jacky in the Kingdom of Women
2015 Daddy or Mommy
2015 Lolo
2016 Divorce French Style
2017 Jealous
2017 Some Like It Veiled
2019 Love at Second Sight
2021 Eiffel
2022 Goliath
2023 Gold Brick
2023 Sage homme
2024 On the Pulse
Unit Production Manager:
2003 Bon Voyage
2008 I've Loved You So Long
2009 La différence, c'est que c'est pas pareil
2009 The French Kissers
2011 Delicacy
2013 The Brats
2014 Diplomacy
2014 Jacky in the Kingdom of Women
2015 Daddy or Mommy
2015 Lolo
2016 Divorce French Style
2017 Jealous
2017 Some Like It Veiled
2019 Love at Second Sight
2021 Eiffel
2022 Goliath
2023 Gold Brick
2023 Sage homme
2023 The Soulmate Search
2024 On the Pulse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.