Radley Metzger (1929-2017)

Alias:
Harry Paris
Henry Paris
Jake Barnes
Radley H. Metzger

Birthplace:
New York City, New York, USA

Born:
January 21, 1929

Died:
March 31, 2017

Radley Metzger (also known as Radley Henry Metzger, Radley H. Metzger and by the pseudonyms, "Jake Barnes", "Erich Farina" and "Henry Paris") (January 21, 1929 – March 31, 2017) was an American pioneering filmmaker and film distributor, most noted for popular artistic, adult-oriented films, including Camille 2000 (1969), The Lickerish Quartet (1970), Score (1974), The Private Afternoons of Pamela Mann (1974), The Image (1975) and The Opening of Misty Beethoven (1976). According to one film reviewer, Metzger's films, including those made during the Golden Age of Porn, are noted for their "lavish design, witty screenplays, and a penchant for the unusual camera angle". Another reviewer noted that his films were "highly artistic — and often cerebral ... and often featured gorgeous cinematography". Film and audio works by Metzger have been added to the permanent collection of the Museum of Modern Art (MoMA) in New York City.  From Wikipedia, the free encyclopedia

Additional information:

The Search Form


Director:
1964  The Erotic Touch of Hot Skin
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl

Editor:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl

Producer:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl

Screenplay:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl

Sound:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl

Story:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl

Thanks:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl
2014  After School Massacre

Writer:
1959  Gangster Story
1961  Dark Odyssey
1964  The Erotic Touch of Hot Skin
1964  The Flesh Eaters
1965  The Beach Girls and the Monster
1965  The Dirty Girls
1966  The Alley Cats
1967  Carmen, Baby
1968  Therese and Isabelle
1969  Camille 2000
1970  The Lickerish Quartet
1973  Little Mother
1978  The Cat and the Canary
1986  The Princess and the Call Girl
2014  After School Massacre

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.