A work in constant progress (and occasional regress).
Birthplace:
Brooklyn, New York, USA
Born:
October 21, 1941
Died:
October 3, 2001
Pat Ast was an American actress and model. She was best known for starring in Andy Warhol films and being a Halston model and muse in the 1970s. Ast enjoyed partying in her twenties on Fire Island, and her boisterous personality allowed her to meet and befriend influential people. She had aspirations to become an actress, singer and model despite her day job as a receptionist at a box factory. She made her screen debut after meeting director John Schlesinger on Fire Island, who cast her as a party guest in his film Midnight Cowboy (1969). Around that time, she caught the attention of fashion designer Halston, who gave her a job at his boutique and made her one of his models, despite her weighing 210 pounds, in a time when most models were extremely thin. In the early 1970s, with Pat Cleveland, Connie Cook, Alva Chinn, Anjelica Huston, Karen Bjornson, among others, Ast became one of Halston's favored troupe of models, nicknamed the Halstonettes. She also appeared in runway shows for Halston and Yves St. Laurent, closing the 1972 Coty Awards runway show for Halston by popping out of a giant cake. She later became associated with Andy Warhol, who gave her the role of landlady Lydia in his film Heat (1972) alongside Joe Dallesandro. In 1975, Ast moved to Hollywood to pursue her acting career. She has appeared in films such as The Duchess and the Dirtwater Fox (1976), Foul Play (1978), The Incredible Shrinking Woman (1981), and Reform School Girls (1986). She became resentful of Los Angeles as her film career stalled. She went to New York to do Nine, a Broadway musical based on Federico Fellini’s movie 8 1/2, but was dismissed after three months.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.