Giulio Paradisi (b. 1934)

Alias:
Michael J. Paradise

Birthplace:
Rome, Lazio, Italy

Born:
March 21, 1934

Additional information:

The Search Form


Co-Writer:
1982  Spaghetti House

Director:
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1982  Spaghetti House

Editor:
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1982  Spaghetti House

First Assistant Director:
1965  Don Camillo in Moscow
1966  Pardon, Are You for or Against?
1967  Catch As Catch Can
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1982  Spaghetti House

Screenplay:
1965  Don Camillo in Moscow
1966  Pardon, Are You for or Against?
1967  Catch As Catch Can
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1979  Two Pieces of Bread
1982  Spaghetti House

Second Assistant Director:
1963  
1965  Don Camillo in Moscow
1966  Pardon, Are You for or Against?
1967  Catch As Catch Can
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1979  Two Pieces of Bread
1982  Spaghetti House

Story:
1963  
1965  Don Camillo in Moscow
1966  Pardon, Are You for or Against?
1967  Catch As Catch Can
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1979  Two Pieces of Bread
1982  Spaghetti House

Writer:
1963  
1965  Don Camillo in Moscow
1966  Pardon, Are You for or Against?
1967  Catch As Catch Can
1970  Terzo canale - Avventura a Montecarlo
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie
1972  Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente
1976  Ragazzo di borgata
1979  Tesoromio
1979  The Visitor
1979  Two Pieces of Bread
1982  Spaghetti House
1994  Sarahsarà

Co-Director:
1968  La famiglia Benvenuti

Editor:
1968  La famiglia Benvenuti

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.