John Gianvito (b. 1956)

Birthplace:
Staten Island, New York, USA

Born:
January 1, 1956

John Gianvito is an independent film director based in Boston, where he also holds an Associate Professorship in the Department of Visual and Media Arts at Emerson College. He has taught at numerous major universities in New England and currently sits on the Board of Directors for the Robert Flaherty International Film Seminar. His extensive curatorial work also includes a five-year appointment as Film Programmer at the Harvard Film Archive. He made his debut as a director in 1978 with his short film The Direct Approach and rose to prominence with the subsequent feature The Flower of Pain (1983), a semi-autobiographical film about an adolescent relationship structured as a series of fragments, or “shards of memory” in Gianvito’s words. Commenting on the film to the Viennale, Gianvito described his attempt at “stripping away as much personal anecdotal material as possible, and concentrating on uncovering within each scene the disruptions, the unconscious and conscious mistakes.” Most recently, Gianvito has made Vapor Trail (Clark) which had its world premiere at International Film Festival Rotterdam in 2010. That same year, his documentary Profit Motive and the Whispering Wind (2007), inspired by Howard Zinn’s famous tome A People’s History of the United States, was named one of the fifty greatest documentaries of all time by Time Out New York. For his extraordinary and unique contributions to cinema, Gianvito received the French honorary title of Knight in the Order of Art and Letters in 2001.  – Wen Zhuang

Additional information:

The Search Form


Animation:
2008  Profit Motive and the Whispering Wind

Cinematography:
1983  The Flower of Pain
2008  Profit Motive and the Whispering Wind
2020  Her Socialist Smile

Director:
1983  The Flower of Pain
1986  Address Unknown
1990  What Nobody Saw
2001  The Mad Songs of Fernanda Hussein
2008  Profit Motive and the Whispering Wind
2008  Puncture Wounds (September 11)
2010  Vapor Trail (Clark)
2011  My Heart Swims in Blood
2012  Far from Afghanistan
2015  Wake (Subic)
2020  Her Socialist Smile
2023  Fugue
2023  The Grave's Sky

Director of Photography:
1983  The Flower of Pain
1986  Address Unknown
1990  What Nobody Saw
2001  The Mad Songs of Fernanda Hussein
2008  Profit Motive and the Whispering Wind
2008  Puncture Wounds (September 11)
2010  Vapor Trail (Clark)
2011  My Heart Swims in Blood
2012  Far from Afghanistan
2015  Wake (Subic)
2020  Her Socialist Smile
2023  Fugue
2023  The Grave's Sky

Editor:
1983  The Flower of Pain
1986  Address Unknown
1990  What Nobody Saw
2001  The Mad Songs of Fernanda Hussein
2008  Profit Motive and the Whispering Wind
2008  Puncture Wounds (September 11)
2010  Vapor Trail (Clark)
2011  My Heart Swims in Blood
2012  Far from Afghanistan
2015  Wake (Subic)
2020  Her Socialist Smile
2023  Fugue
2023  The Grave's Sky

Producer:
1983  The Flower of Pain
1986  Address Unknown
1990  What Nobody Saw
2001  The Mad Songs of Fernanda Hussein
2008  Profit Motive and the Whispering Wind
2008  Puncture Wounds (September 11)
2010  Vapor Trail (Clark)
2011  My Heart Swims in Blood
2012  Far from Afghanistan
2015  Wake (Subic)
2020  Her Socialist Smile
2023  Fugue
2023  The Grave's Sky
????  Mission Hill

Sound:
1983  The Flower of Pain
1986  Address Unknown
1990  What Nobody Saw
2001  The Mad Songs of Fernanda Hussein
2008  Profit Motive and the Whispering Wind
2008  Puncture Wounds (September 11)
2010  Vapor Trail (Clark)
2011  My Heart Swims in Blood
2012  Far from Afghanistan
2015  Wake (Subic)
2020  Her Socialist Smile
2023  Fugue
2023  The Grave's Sky
????  Mission Hill

Writer:
1983  The Flower of Pain
1986  Address Unknown
1990  What Nobody Saw
2001  The Mad Songs of Fernanda Hussein
2008  Profit Motive and the Whispering Wind
2008  Puncture Wounds (September 11)
2010  Vapor Trail (Clark)
2011  My Heart Swims in Blood
2012  Far from Afghanistan
2015  Wake (Subic)
2020  Her Socialist Smile
2023  Fugue
2023  The Grave's Sky
????  Mission Hill

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.