Len Powers (1894-1965)

Alias:
Leonard S. Powers
Leonard Powers

Birthplace:
Rodney, Iowa, USA

Born:
December 12, 1894

Died:
January 25, 1965

POWERS, LEN (Leonard Stephen Powers) Born December 12, 1892 (although he incorrectly gave 1894 on some documents), Rodney,  Iowa. Len grew up in Grant, Iowa with his grocer father Charles, mother May, and siblings Charles, Hazel and Clara. He went to school in Portland, Oregon and for a time was a professional boxer. Powers began work as a cinematographer with Reliance in 1914. He shot Blue Blood and Red (1916) for Raoul Walsh at Fox, and Headin’ South (1918) for Douglas Fairbanks, directed by Allan Dwan; he also worked for Magnetic, Mack Sennett, and Hank Mann Comedies. His first film for Hal Roach was the Our Gang short Young Sherlocks (1922). He directed or co-directed 14 Dippy Doo-Dad shorts for Roach in 1923 and ’24, and because of his success with all-animal casts he was asked to film a rooster crowing for the official Pathé logo. After that, Powers was a cameraman exclusively for Roach through 1933, mostly working with Charley Chase. (He moonlighted as a gagman for Mack Sennett in 1927.) With Laurel and Hardy he worked on From Soup to Nuts, Habeas Corpus, Unaccustomed As We Are, Berth Marks, The Hoose-Gow, and The Music Box. He worked at Universal in the early ’40s and was camera operator on some Johnny Mack Brown Westerns toward the end of the decade. His last known credit was photographing stills for Around the World in Eighty Days (1956). Powers’ wife, the former Muriel Elizabeth Davey, died in November. 1945, but he was survived by their daughter Murlen. Died January25, 1965, Hollywood, California, age 72; of a heart attack.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.