A work in constant progress (and occasional regress).
Alias:
Leonard S. Powers
Leonard Powers
Birthplace:
Rodney, Iowa, USA
Born:
December 12, 1894
Died:
January 25, 1965
POWERS, LEN (Leonard Stephen Powers) Born December 12, 1892 (although he incorrectly gave 1894 on some documents), Rodney, Iowa. Len grew up in Grant, Iowa with his grocer father Charles, mother May, and siblings Charles, Hazel and Clara. He went to school in Portland, Oregon and for a time was a professional boxer. Powers began work as a cinematographer with Reliance in 1914. He shot Blue Blood and Red (1916) for Raoul Walsh at Fox, and Headin’ South (1918) for Douglas Fairbanks, directed by Allan Dwan; he also worked for Magnetic, Mack Sennett, and Hank Mann Comedies. His first film for Hal Roach was the Our Gang short Young Sherlocks (1922). He directed or co-directed 14 Dippy Doo-Dad shorts for Roach in 1923 and ’24, and because of his success with all-animal casts he was asked to film a rooster crowing for the official Pathé logo. After that, Powers was a cameraman exclusively for Roach through 1933, mostly working with Charley Chase. (He moonlighted as a gagman for Mack Sennett in 1927.) With Laurel and Hardy he worked on From Soup to Nuts, Habeas Corpus, Unaccustomed As We Are, Berth Marks, The Hoose-Gow, and The Music Box. He worked at Universal in the early ’40s and was camera operator on some Johnny Mack Brown Westerns toward the end of the decade. His last known credit was photographing stills for Around the World in Eighty Days (1956). Powers’ wife, the former Muriel Elizabeth Davey, died in November. 1945, but he was survived by their daughter Murlen. Died January25, 1965, Hollywood, California, age 72; of a heart attack.
Camera Operator:
1919 The Yellow Dog Catcher
Cinematography:
1919 The Yellow Dog Catcher
1930 Doctor's Orders
Director:
1919 The Yellow Dog Catcher
1923 Be Honest
1923 Go West
1923 Lovey Dovey
1923 The Knockout
1923 The Watch Dog
1924 Love's Reward
1924 North of 50-50
1924 Up and at 'Em
1926 He Forgot to Remember
1930 Doctor's Orders
Director of Photography:
1917 The Honor System
1918 Headin' South
1919 The Yellow Dog Catcher
1923 Be Honest
1923 Go West
1923 Lovey Dovey
1923 The Knockout
1923 The Watch Dog
1924 Love's Reward
1924 North of 50-50
1924 Sittin' Pretty
1924 Stolen Goods
1924 Up and at 'Em
1925 Bad Boy
1925 Innocent Husbands
1925 Plain and Fancy Girls
1925 Should Husbands Be Watched?
1926 Along Came Auntie
1926 Be Your Age
1926 Bromo and Juliet
1926 Crazy Like a Fox
1926 He Forgot to Remember
1926 Say It with Babies
1926 Wandering Papas
1926 Wise Guys Prefer Brunettes
1927 The Way of All Pants
1928 Limousine Love
1928 The Boy Friend
1929 Berth Marks
1929 Unaccustomed as We Are
1930 Bear Shooters
1930 Doctor's Orders
1932 The Music Box
1932 The Tabasco Kid
1932 You're Telling Me
1933 Arabian Tights
1933 The Cohens and Kellys in Trouble
1949 Hollywood Burlesque
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.