Wanjiru M. Njendu

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Wanjiru is a Director/Writer/Producer of Kenyan Descent based in Los Angeles. Growing up with influences from many American films and TV shows , Wanjiru spent her childhood in Kenya recreating scenes from E.T, Superman, Indiana Jones and Star Wars with her siblings and neighbors earning her the nickname “Magic”.  Wanjiru’s film credits include several films, her most personal, “Look Again” nominated for a 2012 African Movie Academy Award, Winner- Best Diaspora Film- Kalasha Awards(Kenya) and television credits on “Samantha Who”, ‘Super temps” and “Mostly Evil” among others.  She directed the red carpet interviews for Women In Film’s 5th Annual Pre-Oscar party, a live taping the he SAG-AFTRA and Women In Film Q&A panel of the film MISSRepresentation as the 2012 Women in Film/ Variety purple carpet interviews for their celebrating the 2012 Female Prime-time Nominees. Her African and American upbringing influences her approach as a director to film and television. Acclaimed Director Jon Amiel has been her mentor for the past four years.

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Director:
2011  Look Again
2020  Stray

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.