Mohamed Yassin

Alias:
Mohamed Yasine
محمد ياسين

Birthplace:
Egypt

Mohamed Yasine graduated from the Higher Institute of Cinema in 1987. He directed the film Divorce Lawyer  and the Promise with scriptwriter Wahid Hamed, and The Blood of the Innocent.

Additional information:

The Search Form


Assistant Director:
1987  A Slam Dunk
1991  O, Mehalabeya
1991  Shams El Zanaty
1992  Terrorism and Kebab
1994  Red card
1994  The Terrorist
1994  Women Market
1995  A Hot Night
1996  All Good
1997  The Mushroom
2000  The Forbidden Talks

Co-Director:
1987  A Slam Dunk
1987  The Basement
1991  O, Mehalabeya
1991  Shams El Zanaty
1992  Terrorism and Kebab
1994  Red card
1994  The Terrorist
1994  Women Market
1995  A Hot Night
1996  All Good
1997  The Mushroom
2000  The Forbidden Talks

Director:
1987  A Slam Dunk
1987  The Basement
1991  O, Mehalabeya
1991  Shams El Zanaty
1992  Terrorism and Kebab
1994  Red card
1994  The Terrorist
1994  Women Market
1995  A Hot Night
1996  All Good
1997  The Mushroom
2000  The Forbidden Talks
2002  Her Divorce Lawyer
2003  Soldier In the Camp
2005  The Blood of the Innocent
2008  The Promise

Producer:
1987  A Slam Dunk
1987  The Basement
1991  O, Mehalabeya
1991  Shams El Zanaty
1992  Terrorism and Kebab
1994  Red card
1994  The Terrorist
1994  Women Market
1995  A Hot Night
1996  All Good
1997  The Mushroom
2000  The Forbidden Talks
2002  Her Divorce Lawyer
2003  Soldier In the Camp
2005  The Blood of the Innocent
2008  The Promise
2011  365 Days of Happiness

Script Supervisor:
1987  A Slam Dunk
1987  The Basement
1990  The Dancer & the Politician
1991  O, Mehalabeya
1991  Shams El Zanaty
1992  Terrorism and Kebab
1994  Red card
1994  The Terrorist
1994  Women Market
1995  A Hot Night
1996  All Good
1997  The Mushroom
2000  The Forbidden Talks
2002  Her Divorce Lawyer
2003  Soldier In the Camp
2005  The Blood of the Innocent
2008  The Promise
2011  365 Days of Happiness

Creator:
2016  Wedding Song

Director:
2010  Al-Gama'a
2013  Heatwave
2016  Wedding Song
2022  The Journey

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.