S. Leigh Savidge

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Alias:
Leigh Savidge

Additional information:

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Co-Executive Producer:
2002  Rudy Ray Moore: Live at Wetlands: N.Y.C.
2015  Straight Outta Compton

Director:
1991  The 1984 Los Angeles Comedy Competition With Host Jay Leno
2001  Welcome to Death Row
2002  Rudy Ray Moore: Live at Wetlands: N.Y.C.
2008  Straight Outta Puerto Rico: Reggaeton’s Rough Road to Glory
2015  Straight Outta Compton

Executive Producer:
1990  Twisted Justice
1991  The 1984 Los Angeles Comedy Competition With Host Jay Leno
1994  Dr. Martin Luther King, Jr.: A Historical Perspective
2001  Welcome to Death Row
2002  Rudy Ray Moore: Live at Wetlands: N.Y.C.
2004  Eminem AKA
2008  Straight Outta Puerto Rico: Reggaeton’s Rough Road to Glory
2015  Straight Outta Compton
2021  Traveling Light

Producer:
1990  Twisted Justice
1991  The 1984 Los Angeles Comedy Competition With Host Jay Leno
1994  Dr. Martin Luther King, Jr.: A Historical Perspective
1994  The Legend of Dolemite! Bigger & Badder
2001  Welcome to Death Row
2002  Rudy Ray Moore: Live at Wetlands: N.Y.C.
2004  Eminem AKA
2008  Straight Outta Puerto Rico: Reggaeton’s Rough Road to Glory
2015  Straight Outta Compton
2021  Traveling Light

Story:
1990  Twisted Justice
1991  The 1984 Los Angeles Comedy Competition With Host Jay Leno
1994  Dr. Martin Luther King, Jr.: A Historical Perspective
1994  The Legend of Dolemite! Bigger & Badder
2001  Welcome to Death Row
2002  Rudy Ray Moore: Live at Wetlands: N.Y.C.
2004  Eminem AKA
2008  Straight Outta Puerto Rico: Reggaeton’s Rough Road to Glory
2015  Straight Outta Compton
2021  Traveling Light

Writer:
1990  Twisted Justice
1991  The 1984 Los Angeles Comedy Competition With Host Jay Leno
1994  Dr. Martin Luther King, Jr.: A Historical Perspective
1994  The Legend of Dolemite! Bigger & Badder
2001  Welcome to Death Row
2002  Rudy Ray Moore: Live at Wetlands: N.Y.C.
2004  Eminem AKA
2008  Straight Outta Puerto Rico: Reggaeton’s Rough Road to Glory
2015  Straight Outta Compton
2021  Traveling Light

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.