Carmen Montejo (1925-2013)

Alias:
María Teresa Sánchez González

Birthplace:
Pinar del Río, Cuba

Born:
May 26, 1925

Died:
February 25, 2013

Carmen Montejo (born María Teresa Sánchez González; May 26, 1925 - February 25, 2013) was a Cuban-born actress of telenovelas, stage and the Golden age of the cinema of Mexico.  Real name: María Teresa Sánchez González Montejo started her career in radio as a child at the age of 6 in Cuba in a show titled Abuelita Cata transmitted on CMOX. While still in Cuba she was nicknamed "Muñeca" Sánchez in theatre and because of her golden curls as the Cuban Shirley Temple. She began acting studies in 1939 at Universidad de La Habana under Ludwing Shayovich. After concluding her collage studies her parents offered her a trip to the United States but instead she chose to go to Mexico for two months.  After arriving in Mexico she obtained a job in radio claiming to be a famous star in Cuba with a role in the radionovela El diario de Susana Galván. In 1943 she obtained a role in the film Resurrección directed by Gilberto Martínez Solares and then Chano Ureta who changed her professional name to "Carmen Montejo" when she told him she lived across the Hotel Montejo.  In Venezuela she participated in one of the first films shot in that country titled Páramo (1954). In theater she obtained the role of Adela in the 1946 production of The House of Bernarda Alba of Federico García Lorca. She co-starred with Virginia Fábregas and was directed by Ricardo Mondragón at the Palacio de Bellas Artes. She has also participated in Who's Afraid of Virginia Woolf? and The Trojans.  In television she has performed roles in many telenovelas as well as the sitcom Tres Generaciones with Angélica María and Sasha Sokol in the 1980s.  For her work in television, films and theatre, Montejo was inducted into the Paseo de las Luminarias.  Carmen Montejo died on February 25, 2013, in Mexico City. She was 87.

Additional information:

The Search Form


Director:
1987  Tres generaciones

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.