A work in constant progress (and occasional regress).
Alias:
Maria Pichler
Birthplace:
Vienna, Austria-Hungary [now Austria]
Born:
September 5, 1917
Died:
September 6, 1981
This lovely Austrian-born actress was born (in 1917) and raised in Vienna, performing as a child on stage and appearing in various productions for the renowned Max Reinhardt. Trained in dance, she was a member of the Bodenwieser Ensemble, a European troupe. Following a few high school plays and dance recitals, she went on to study drama and voice at the Vienna Conservatory. Maria arrived in the United States at the outbreak of war in 1938 and first performed on the New York stage, notably in the 1942 production of "The Moon Is Down." Spotted for films, she was one of many foreign actresses Hollywood took in at the time to fill their quota of exotic mystery ladies in war-era intrigue and film noir. She made her debut in Mission to Moscow (1943) for Warner Bros. and continued on freelancing for other studios with Days of Glory (1944), opposite Gregory Peck, Lady on a Train (1944), The Web (1947), The Other Love (1947), Strictly Dishonorable (1941), By the Light of the Silvery Moon (1953), and Outcasts of the City (1958), among others. Her film career waned in the 1950s and she turned to radio, TV and commercials. She formed her own production company, Maria Palmer Enterprises, and hosted her own local Los Angeles show "Sincerely, Maria Palmer" in the early 1960s. In later years she wrote a number of unproduced teleplays, often under the pseudonym Eliot Parker White. Dying of pulmonary failure while battling cancer in 1981, she kept extensive journals of her life and career which were later available to the public. (IMDB)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.