Antonio Aguilar (1919-2007)

Alias:
Antonio 'Tony' Aguilar
El Charro de Mexico
El charro de México
José Pascual Antonio Aguilar Márquez Barraza
Toni Aguilar
Tony Aguilar

Birthplace:
Villanueva, Zacatecas, Mexico

Born:
May 17, 1919

Died:
June 19, 2007

Antonio Aguilar Barraza (17 May 1919 – 19 June 2007) was a Mexican singer, songwriter, film actor, film producer, andscreenwriter. During his career, he recorded over 150 albums, which sold 25 million copies, and participated in more than 120 films. He was given the honorific nickname "El Charro de México" (The Horseman of Mexico) because he is credited with popularizing la charrería, considered to have originated in Mexico, to international audiences. To this day he has been the only Hispanic artist to sell out the Madison Square Garden of New York City for six consecutive nights in 1997. Aguilar was best known for singing traditional Mexican folk songs (rancheras) and ballads (corridos) as well for his roles in films concerning rural themes, such as the Mexican Revolution. He won the Latin ACE Award for Best Actor for his portrayal of Emiliano Zapata in the 1970 epic film of the same name. He also portrayed Pancho Villa twice in film. In 1997, Aguilar was awarded the Special Golden Ariel for his "invaluable contribution and spreading of Mexican cinema". With his second wife, popular singer and actress Flor Silvestre, he had two sons, Antonio Aguilar Jr. and Pepe Aguilar, who also became singers and actors. His family is known collectively as "La Dinastía Aguilar" (The Aguilar Dynasty).

Additional information:

The Search Form


Adaptation:
1982  El ánima de Sayula
1986  Contrabando y muerte

Additional Dialogue:
1979  Benjamín Argumedo el rebelde
1982  El ánima de Sayula
1986  Contrabando y muerte

Dialogue:
1979  Benjamín Argumedo el rebelde
1982  El ánima de Sayula
1986  Contrabando y muerte

Producer:
1966  El alazán y el rosillo
1969  El ojo de vidrio
1970  Emiliano Zapata
1971  They Call Him Marcado
1976  El Rey
1977  El moro de Cumpas
1977  Volver, volver, volver
1979  Benjamín Argumedo el rebelde
1979  Mi Caballo El Cantador
1981  Long live Tepito!
1982  El ánima de Sayula
1986  Contrabando y muerte
1987  Lamberto Quintero
1988  Domingo Corrales
1992  El chivo

Screenplay:
1966  El alazán y el rosillo
1969  El ojo de vidrio
1970  Emiliano Zapata
1971  They Call Him Marcado
1974  La muerte de Pancho Villa
1975  Simon Blanco
1976  El Rey
1977  El moro de Cumpas
1977  La muerte de un gallero
1977  Volver, volver, volver
1978  The Achievers
1979  Benjamín Argumedo el rebelde
1979  Mi Caballo El Cantador
1981  Long live Tepito!
1982  El ánima de Sayula
1986  Contrabando y muerte
1987  Lamberto Quintero
1988  Domingo Corrales
1992  El chivo

Story:
1966  El alazán y el rosillo
1969  El ojo de vidrio
1970  Emiliano Zapata
1970  Vuelve el ojo de vidrio
1971  They Call Him Marcado
1974  La muerte de Pancho Villa
1975  Simon Blanco
1976  El Rey
1977  El moro de Cumpas
1977  La muerte de un gallero
1977  Volver, volver, volver
1978  The Achievers
1979  Benjamín Argumedo el rebelde
1979  Mi Caballo El Cantador
1981  Long live Tepito!
1982  El ánima de Sayula
1986  Contrabando y muerte
1987  Lamberto Quintero
1988  Domingo Corrales
1992  El chivo

Writer:
1966  El alazán y el rosillo
1969  El ojo de vidrio
1970  Emiliano Zapata
1970  Vuelve el ojo de vidrio
1971  They Call Him Marcado
1973  La yegua colorada
1974  La muerte de Pancho Villa
1975  Simon Blanco
1976  El Rey
1977  El moro de Cumpas
1977  La muerte de un gallero
1977  Volver, volver, volver
1978  The Achievers
1979  Benjamín Argumedo el rebelde
1979  Mi Caballo El Cantador
1981  Long live Tepito!
1982  El ánima de Sayula
1986  Contrabando y muerte
1987  Lamberto Quintero
1988  Domingo Corrales
1992  El chivo

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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