John Pata

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John Pata is a filmmaker based in Wisconsin and the owner of Head Trauma Productions. Even though he went to school for graphic design, Pata decided to make his first short film during his last year of college. Upon graduating, he started a screen-printing shop that he co-owned for two-and-a-half years before selling his share of it in 2010 to help fund his first feature film. Since entering the world of filmmaking, Pata’s work has been screened at festivals all over the world including the Fantasia International Film Festival, Sitges Film Festival, and Fantastic Fest.  He listens to far too much punk rock, has continually defended ska for over 25 years, can’t stop reading Stephen King, and will eat all the veggie burritos.

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Director:
2007  Better Off Undead
2012  Dead Weight
2014  Pity
2023  Black Mold

Editor:
2007  Better Off Undead
2012  Dead Weight
2014  Pity
2016  The Stylist
2019  Gags the Clown
2020  The Stylist
2023  Black Mold
2023  Frogman

Producer:
2007  Better Off Undead
2012  Dead Weight
2014  Pity
2016  The Stylist
2019  Gags the Clown
2020  The Stylist
2023  Black Mold
2023  Frogman

Sound Effects Editor:
2007  Better Off Undead
2012  Dead Weight
2014  Pity
2016  The Stylist
2019  Gags the Clown
2020  The Stylist
2021  Finding Jedda
2023  Black Mold
2023  Frogman

Visual Effects:
2007  Better Off Undead
2012  Dead Weight
2014  Pity
2016  The Stylist
2019  Gags the Clown
2020  The Stylist
2021  Bug Bites!
2021  Finding Jedda
2023  Black Mold
2023  Frogman

Writer:
2007  Better Off Undead
2012  Dead Weight
2014  Pity
2016  The Stylist
2019  Gags the Clown
2020  The Stylist
2021  Bug Bites!
2021  Finding Jedda
2023  Black Mold
2023  Frogman

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.