Vincent Cahay (b. 1973)

Gallery Unavailable

Birthplace:
Brussels, Belgium

Born:
January 15, 1973

Vincent Cahay was born in Brussels in 1973. After graduating from the Conservatoire in Liège with a degree in theatre studies, he took on a number of acting roles (Pietro Varrasso, Arsenic,..). Vincent began composing music for theatre and film in the 2000s, composing the music for Anne-Cécile Vandalem’s play Tristesses, in collaboration with Pierre Kissling, and touring with the play until 2019. In 2020, he worked with Frederic Fonteyne and Anne Paulicevic on their latest film, Filles de joie, and finished the music for Just Philippot’s “La Nuée” (awarded the 2020 “Semaine de la Critique” label). Vincent is about to embark on a new collaboration with Fabrice du Welz – Inexorable – following on from Calvaire, Alleluia and Adoration.

Additional information:

The Search Form


Music:
2014  Alleluia

Music Score Producer:
2014  Alleluia
2020  Cloud
2023  Sweet Tooth
2023  The Order of Time

Original Music Composer:
2005  Calvaire
2014  Alleluia
2017  Message from the King
2020  Adoration
2020  Cloud
2020  Working Girls
2021  The Swarm
2022  Inexorable
2023  Sweet Tooth
2023  The Order of Time
2025  Maldoror

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.