Carlo Cresto-Dina

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Associate Producer:
2010  We Believed

Co-Producer:
2010  We Believed
2021  Atlas
2024  Maria Montessori

Director:
1997  Welcome Holy Spirit
2010  We Believed
2021  Atlas
2024  Maria Montessori

Original Concept:
1997  Welcome Holy Spirit
1998  Oreste Pipolo, fotografo di matrimoni
2010  We Believed
2021  Atlas
2024  Maria Montessori

Producer:
1997  Dance of the Wind
1997  Welcome Holy Spirit
1998  Oreste Pipolo, fotografo di matrimoni
2000  A Dream of Sicily
2000  Essere morti o essere vivi è la stessa cosa
2001  Chiusura
2001  Fernanda Pivano: A Farewell to Beat
2001  Latina/Littoria
2004  L'esplosione
2005  Tickets
2006  Feltrinelli
2010  We Believed
2011  Corpo Celeste
2012  The Interval
2014  The Wonders
2015  De Djess
2016  Fräulein - A Winter’s Tale
2018  Happy as Lazzaro
2021  Atlas
2021  The Inner Cage
2021  Wildfire
2022  Le Pupille
2022  Swing Ride
2023  La Chimera
2024  Gloria!
2024  Maria Montessori

Writer:
1997  Dance of the Wind
1997  Welcome Holy Spirit
1998  Oreste Pipolo, fotografo di matrimoni
2000  A Dream of Sicily
2000  Essere morti o essere vivi è la stessa cosa
2001  Chiusura
2001  Fernanda Pivano: A Farewell to Beat
2001  Latina/Littoria
2004  L'esplosione
2005  Tickets
2006  Feltrinelli
2010  We Believed
2011  Corpo Celeste
2012  The Interval
2014  The Wonders
2015  De Djess
2016  Fräulein - A Winter’s Tale
2018  Happy as Lazzaro
2021  Atlas
2021  The Inner Cage
2021  Wildfire
2022  Le Pupille
2022  Swing Ride
2023  La Chimera
2024  Gloria!
2024  Maria Montessori

Producer:
2023  Love Club

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.