Molly M. Fowler

Alias:
Molly Fowler
Molly Macklin Fowler

Molly Fowler is an award-winning producer, director and writer for television, film and drama. Her documentary work has been seen on PBS, Discovery, National Geographic, Lifetime, OWN and A&E. She lived in a men’s maximum security prison in Louisiana to make "Serving Life" for Oprah’s Doc Club, which she executive produced with Forest Whitaker and which earned, among others, Christopher and Humanitas Awards. She was a Producer for ABC News PrimeTime Live, and Senior Producer for ABC News Nightline’s Beyond Belief on OWN where she began her collaboration with New York Times best-selling author Wes Moore. She and Mr. Moore then produced the PBS series “Coming Back with Wes Moore,” which examines re-entry issues for American war veterans. She produced 3 feature-length docs for the New York Times and two projects through the Tribeca All Access program, one of which premiered at the Tribeca Festival to an audience of 10,000. She was also a network executive for ABC.

Additional information:

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Director:
2009  In 500 Words or Less

Executive Producer:
2009  In 500 Words or Less
2019  Born to Be

Producer:
2009  In 500 Words or Less
2011  Serving Life
2019  Born to Be

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.