Russell A. Cully

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Special Effects:
1937  The Woman I Love
1946  Crack-Up
1946  Criminal Court
1946  Heartbeat
1946  It's a Wonderful Life
1946  Nocturne
1946  San Quentin
1946  Step by Step
1946  The Falcon's Adventure
1946  Vacation in Reno
1947  A Likely Story
1947  Banjo
1947  Crossfire
1947  Desperate
1947  Mourning Becomes Electra
1947  Out of the Past
1947  Riff-Raff
1947  The Bachelor and the Bobby-Soxer
1947  The Farmer's Daughter
1947  The Long Night
1947  The Woman on the Beach
1947  They Won't Believe Me
1947  Trail Street
1948  Berlin Express
1948  Blood on the Moon
1948  Every Girl Should Be Married
1948  If You Knew Susie
1948  Mr. Blandings Builds His Dream House
1948  Mystery in Mexico
1948  Night Song
1948  Rachel and the Stranger
1948  Return of the Bad Men
1948  Station West
1948  The Miracle of the Bells
1948  The Velvet Touch
1948  Western Heritage
1949  A Woman's Secret
1949  Easy Living
1949  Roughshod
1949  The Window

Visual Effects:
1937  The Woman I Love
1946  Crack-Up
1946  Criminal Court
1946  From This Day Forward
1946  Heartbeat
1946  It's a Wonderful Life
1946  Nocturne
1946  San Quentin
1946  Step by Step
1946  The Falcon's Adventure
1946  Vacation in Reno
1947  A Likely Story
1947  Banjo
1947  Crossfire
1947  Desperate
1947  Mourning Becomes Electra
1947  Out of the Past
1947  Riff-Raff
1947  The Bachelor and the Bobby-Soxer
1947  The Farmer's Daughter
1947  The Long Night
1947  The Woman on the Beach
1947  They Won't Believe Me
1947  Trail Street
1948  Berlin Express
1948  Blood on the Moon
1948  Every Girl Should Be Married
1948  If You Knew Susie
1948  Mr. Blandings Builds His Dream House
1948  Mystery in Mexico
1948  Night Song
1948  Rachel and the Stranger
1948  Return of the Bad Men
1948  Station West
1948  The Miracle of the Bells
1948  The Velvet Touch
1948  Western Heritage
1949  A Woman's Secret
1949  Easy Living
1949  Roughshod
1949  The Window

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.