A work in constant progress (and occasional regress).
Birthplace:
Milan, Lombardy, Italy
Born:
August 28, 1938
Died:
November 12, 1997
Alberto Cavallone (28 August 1938 – 12 November 1997) was an Italian film director and screenwriter. He was born in Milan, Italy. Cavallone's films are anti-conventional and often contain a mixture of graphic violence, surrealism and eroticism. When Cavallone was 17 years old, he traveled to Algeria, then in the throes of a war of independence, with a 16mm Paillard motion picture camera. The footage he gathered there formed the structure of his first film effort, La sporca guerra (The Bloody War), intended as a non-aligned political documentary. The film featured an early score by Pino Donaggio. The film, released in 1959, is now lost. His feature debut, Lontano dagli occhi (Out of Sight), the story of an Italian reporter's coverage of a trial in Frankfurt of former Nazi officers for crimes against humanity, was never completed and remains unseen. After a five-year period of apprenticeship, assisting direction on a score of Italian pictures, Cavallone returned to directing in 1969 with the feature Le salamandre, a story of an interracial ménage-à-trois between a Swedish-American fashion photographer, her lover, a black model, and a French psychologist. It was shot in Tunisia. The film was well-received and Cavallone's profile increased tremendously.
Additional Writing:
1969 The Red Tent
Director:
1965 N... come negrieri
1969 Le salamandre
1969 The Red Tent
1970 From Our Copenhagen's Correspondent
1971 Quickly, Shootings and Kisses for Breakfast
1973 Afrika
1974 Zelda
1977 Maldoror
1977 Man, Woman and Beast
1980 Blow Job
1980 The Erotic Twin
1983 Master of the World
Editor:
1965 N... come negrieri
1969 Le salamandre
1969 The Red Tent
1970 From Our Copenhagen's Correspondent
1971 Quickly, Shootings and Kisses for Breakfast
1973 Afrika
1974 Zelda
1977 Maldoror
1977 Man, Woman and Beast
1980 Blow Job
1980 The Erotic Twin
1983 Master of the World
Screenplay:
1965 N... come negrieri
1967 Per amore... per magia...
1969 Le salamandre
1969 The Red Tent
1970 From Our Copenhagen's Correspondent
1971 Quickly, Shootings and Kisses for Breakfast
1973 Afrika
1974 Zelda
1977 Maldoror
1977 Man, Woman and Beast
1980 Blow Job
1980 The Erotic Twin
1983 Ironmaster
1983 Master of the World
Script:
1965 N... come negrieri
1967 Per amore... per magia...
1969 Le salamandre
1969 The Red Tent
1970 From Our Copenhagen's Correspondent
1971 Quickly, Shootings and Kisses for Breakfast
1973 Afrika
1974 Zelda
1977 Maldoror
1977 Man, Woman and Beast
1980 Blow Job
1980 The Erotic Twin
1983 Ironmaster
1983 Master of the World
Story:
1965 N... come negrieri
1967 Per amore... per magia...
1969 Le salamandre
1969 The Red Tent
1970 From Our Copenhagen's Correspondent
1971 Quickly, Shootings and Kisses for Breakfast
1973 Afrika
1974 Zelda
1977 Maldoror
1977 Man, Woman and Beast
1980 Blow Job
1980 The Erotic Twin
1983 Ironmaster
1983 Master of the World
Writer:
1965 N... come negrieri
1967 La lunga sfida
1967 Per amore... per magia...
1969 Le salamandre
1969 The Red Tent
1970 From Our Copenhagen's Correspondent
1971 Quickly, Shootings and Kisses for Breakfast
1973 Afrika
1974 Zelda
1977 Maldoror
1977 Man, Woman and Beast
1980 Blow Job
1980 The Erotic Twin
1983 Ironmaster
1983 Master of the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.