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Annik Borel (b. 1948)

Alias:
Angie Monet

Birthplace:
Besançon, Doubs, France

Born:
January 1, 1948

Biography from TheMovieDB

Annik Borel was a gorgeous, statuesque and voluptuous blond actress who popped up in a handful of enjoyably sleazy 70's exploitation features made in both Europe and America. She was born as Anne Borel in 1948 in Besancon, France. Borel made a memorable film debut as a drug dealer's predatory swinging bisexual girlfriend in the sordid "Weekend With the Babysitter." She then made a guest appearance on an episode of the hit sitcom "The Odd Couple." Annik has minor parts in two movies: she's a persecuted witch in Ted V. Mikels' cruddy "Blood Orgy of the She Devils" and a topless hooker in the funky blaxploitation blast "Truck Turner." Borel achieved her greatest enduring schlock cult cinema fame with her lead role as a troubled young lady who thinks she's a werewolf in Rino Di Silvestro's outrageously scuzzy Italian horror hoot "Werewolf Woman." Alas, following her appearances in the European trash pictures "Black Aphrodite" and "Erotic Encounters" Annik Borel suddenly quit acting and seems to have disappeared altogether.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.