A work in constant progress (and occasional regress).
Assistant Camera:
1952 Habitación para tres
1963 La chica del trébol
1963 Las hijas de Helena
1968 Persecución hasta Valencia
Camera Operator:
1952 Habitación para tres
1963 La chica del trébol
1963 Las hijas de Helena
1968 Persecución hasta Valencia
1969 Shadow of Death
1969 Two Undercover Angels
1969 Unmarried and Mother in Life
1970 Con ella llegó el amor
1970 Dele color al difunto
1970 Los hombres las prefieren viudas
1971 Spaniards in Paris
1972 It Can Be Done Amigo
1972 To the Devil, with Love
1973 Las señoritas de mala compañía
1974 Doctor, me gustan las mujeres, ¿es grave?
1974 Sex o no sex
Director of Photography:
1952 Habitación para tres
1963 La chica del trébol
1963 Las hijas de Helena
1968 Persecución hasta Valencia
1969 Shadow of Death
1969 Two Undercover Angels
1969 Unmarried and Mother in Life
1970 Con ella llegó el amor
1970 Dele color al difunto
1970 Los hombres las prefieren viudas
1971 Spaniards in Paris
1972 It Can Be Done Amigo
1972 To the Devil, with Love
1973 La leyenda del alcalde de Zalamea
1973 Las señoritas de mala compañía
1974 Doctor, me gustan las mujeres, ¿es grave?
1974 Sex o no sex
Focus Puller:
1952 Habitación para tres
1963 La chica del trébol
1963 Las hijas de Helena
1964 Fin de semana
1968 Persecución hasta Valencia
1969 Shadow of Death
1969 Two Undercover Angels
1969 Unmarried and Mother in Life
1970 Con ella llegó el amor
1970 Dele color al difunto
1970 Los hombres las prefieren viudas
1971 Spaniards in Paris
1972 It Can Be Done Amigo
1972 To the Devil, with Love
1973 La leyenda del alcalde de Zalamea
1973 Las señoritas de mala compañía
1974 Doctor, me gustan las mujeres, ¿es grave?
1974 Sex o no sex
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.