A work in constant progress (and occasional regress).
Assistant Makeup Artist:
1964 Two Public Enemies
Key Makeup Artist:
1964 Two Public Enemies
1978 Odds and Evens
Makeup Artist:
1964 Two Public Enemies
1968 If You Want to Live... Shoot!
1969 Youth March
1970 They Call Me Trinity
1971 Blackie the Pirate
1971 Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1971 Trinity Is Still My Name
1972 All the Way Boys
1972 It Can Be Done Amigo
1973 Tequila!
1973 The Knock Out Cop
1974 The Two Missionaries
1974 Watch Out, We're Mad
1975 Flatfoot in Hong Kong
1976 Soldier of Fortune
1977 Crime Busters
1978 Flatfoot in Africa
1978 Odds and Evens
1978 They Called Him Bulldozer
1979 I'm for the Hippopotamus
1980 Flatfoot in Egypt
1980 Why Did You Pick On Me?
1981 Who Finds a Friend Finds a Treasure
1982 Bomber
1982 Spaghetti House
1983 Go for It
1983 Thieves and Robbers
1987 Sottozero
1989 Mortacci
1991 Speaking of the Devil
Makeup Department Head:
1964 Two Public Enemies
1968 If You Want to Live... Shoot!
1969 Youth March
1970 They Call Me Trinity
1971 Blackie the Pirate
1971 Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1971 Trinity Is Still My Name
1972 A Reason to Live, a Reason to Die
1972 All the Way Boys
1972 It Can Be Done Amigo
1973 Tequila!
1973 The Knock Out Cop
1974 Farfallon
1974 The Two Missionaries
1974 Watch Out, We're Mad
1975 Flatfoot in Hong Kong
1976 Soldier of Fortune
1977 Crime Busters
1978 Flatfoot in Africa
1978 Odds and Evens
1978 They Called Him Bulldozer
1979 I'm for the Hippopotamus
1980 Flatfoot in Egypt
1980 Why Did You Pick On Me?
1981 Who Finds a Friend Finds a Treasure
1982 Bomber
1982 Spaghetti House
1983 Go for It
1983 Thieves and Robbers
1987 Sottozero
1989 Mortacci
1991 Speaking of the Devil
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.