Luciano Giustini

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Assistant Makeup Artist:
1964  Two Public Enemies

Key Makeup Artist:
1964  Two Public Enemies
1978  Odds and Evens

Makeup Artist:
1964  Two Public Enemies
1968  If You Want to Live... Shoot!
1969  Youth March
1970  They Call Me Trinity
1971  Blackie the Pirate
1971  Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1971  Trinity Is Still My Name
1972  All the Way Boys
1972  It Can Be Done Amigo
1973  Tequila!
1973  The Knock Out Cop
1974  The Two Missionaries
1974  Watch Out, We're Mad
1975  Flatfoot in Hong Kong
1976  Soldier of Fortune
1977  Crime Busters
1978  Flatfoot in Africa
1978  Odds and Evens
1978  They Called Him Bulldozer
1979  I'm for the Hippopotamus
1980  Flatfoot in Egypt
1980  Why Did You Pick On Me?
1981  Who Finds a Friend Finds a Treasure
1982  Bomber
1982  Spaghetti House
1983  Go for It
1983  Thieves and Robbers
1987  Sottozero
1989  Mortacci
1991  Speaking of the Devil

Makeup Department Head:
1964  Two Public Enemies
1968  If You Want to Live... Shoot!
1969  Youth March
1970  They Call Me Trinity
1971  Blackie the Pirate
1971  Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1971  Trinity Is Still My Name
1972  A Reason to Live, a Reason to Die
1972  All the Way Boys
1972  It Can Be Done Amigo
1973  Tequila!
1973  The Knock Out Cop
1974  Farfallon
1974  The Two Missionaries
1974  Watch Out, We're Mad
1975  Flatfoot in Hong Kong
1976  Soldier of Fortune
1977  Crime Busters
1978  Flatfoot in Africa
1978  Odds and Evens
1978  They Called Him Bulldozer
1979  I'm for the Hippopotamus
1980  Flatfoot in Egypt
1980  Why Did You Pick On Me?
1981  Who Finds a Friend Finds a Treasure
1982  Bomber
1982  Spaghetti House
1983  Go for It
1983  Thieves and Robbers
1987  Sottozero
1989  Mortacci
1991  Speaking of the Devil

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.