A work in constant progress (and occasional regress).
Release Date:
August 9, 2023
Original Title:
Veuillez nous excuser pour la gêne occasionnée
Genres:
Comedy
Production Companies:
Vendôme Production
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 89
Sébastien, a conscientious and professional train inspector, dreams of being transferred to the South of France. To validate his transfer, he has to make one last routine run under the supervision of Madeleine, a slightly sociopathic inspector who won't let him go. That's when everything goes wrong: between a driver who thinks he's driving a fighter jet, a jealous colleague and passengers who are each crazier than the last, what was supposed to be a formality turns into the worst trip of his life.
Assistant Production Design:
Patrick Schmitt
Assistant Set Decoration:
Alyssa Gonthier
Best Boy Electric:
Jaoued Dugueyt
Best Boy Grip:
Eric Fontenelle
Boom Operator:
Guillaume Pellerin
Casting:
Jawahine Zentar
Director:
Olivier Van Hoofstadt
Director of Photography:
Bruno Degrave
Electrician:
Alexis Bonnet
Arthur Barrow
Mickael Georgeault
Alexandre O'Toole
Extras Casting:
Aurélie Assié Lécroart
First Assistant Camera:
Olivier Crayemeersch
Gaffer:
Mathieu Brémond
Grip:
Cyrille Hermant
Key Grip:
Sebastien Demarigny
Makeup Effects:
David Scherer
Production Design:
Samuel Teisseire
Production Manager:
Benoît Pilot
Props:
Nicolas Doerler
Prosthetics:
David Scherer
Rigging Gaffer:
Géraud De Tournemire
Screenplay:
Olivier Van Hoofstadt
Frédéric Jurie
Set Designer:
Bertrand Hée
Héloïse Lecointre de Winter
Sound:
Stéphane Roche
Stéphane Roché
Sound Assistant:
Enzo Petit
Stunt Coordinator:
Jérôme Gaspard
Stunt Double:
Marie Bouvet
Stunts:
Céline Richard
Teddy Ponceau
Ahmed Chouikhi
Supervising Art Director:
Patrick Schmitt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.