A work in constant progress (and occasional regress).
Release Date:
July 16, 2022
Original Title:
All Jacked Up and Full of Worms
Genres:
Comedy | Horror
Production Companies:
Eleven04 Productions
Full Spectrum Features
Special Movies
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 72
A maintenance man for a seedy motel embarks on a path of self-destruction through the alleyways of Chicago after he discovers a hidden stash of powerful hallucinogenic worms.
Additional Editor:
David Brown
Assistant Director:
Grace Hahn
Associate Producer:
Spencer Parsons
Jennifer Stoffel
Cinematography:
Drew Angle
Colorist:
Daniel Stuyck
Costume Design:
Kate Grube
Digital Imaging Technician:
Andrew Schmidt
Director:
Alex Phillips
Drone Operator:
Tim Reilly
Editor:
Troy Josiah Lewis
Electrician:
Jabu Dawdu
Neil Shukla
First Assistant Camera:
Matt Gehl
Trina Mulligan
Neil Shukla
Gaffer:
Chris Cascarano
Grip:
Jacob Chaurize
Hair Designer:
Ray Sanchez
Line Producer:
Veronica Barbosa
Location Manager:
Jake Bloom
Producer:
Georgia Bernstein
Ben Gojer
Alex Phillips
Production Assistant:
Tyler Dai
Scott Haertel
Julia Kruger
Margot Pitts
Kaia Skillman
Erica Sun
Production Design:
Ania Bista
Second Assistant Camera:
Andrew Schmidt
Set Buyer:
Ellie Langshaw
Set Dresser:
Robert Hollocher
Kelly Hood
Ellie Langshaw
Lucia Miller
Delaney Pressler
Sound Designer:
Alex Inglizian
Sound Mixer:
Jason Culver
Jake Lingan
Baili Martin
Sarah Nogly
Cesar Ortega
Alejandro Reyes
Coco Wallace
Special Effects:
Jabu Dawdu
Ben Gojer
Ezra Pelaez
Mae Saxe
Kevin Michael Wesson
Special Effects Makeup Artist:
Corrine Ashley
Frances Mullozzi
Cyle Williamson
Catherine Woods
Title Designer:
Ryan Ohm
Unit Production Manager:
Grace Hahn
Visual Effects:
David Brown
Jason Wehling
Writer:
Alex Phillips
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.